Manuel Sorto

Filmed during the Salvadoran civil war, La luz que te decía documents the struggles of the country’s labor and trade union movement amid escalating political violence. Through strike footage, congress meetings, marches, and first-person testimonies, the film portrays a society marked by state repression, workers’ mobilization, and efforts to build national and international solidarity. The documentary pays particular attention to the strike of the National Water Authority workers (ANDA), featuring members of the SETA union who describe the causes of the protest, the repression they faced, and the survival strategies adopted during the conflict. Testimonies from other unions, grassroots organizations, and international labor groups broaden the film’s perspective beyond a single labor dispute.

Uzi is the name of a firearm, but also is the diminutive of Uziel, who used to be a hitman in his youth. Now he lives crushed by guilt. His crisis deepens when he helps in a childbirth: the force of life fascinates him, and he does not understand how he was able to destroy it in the past.

Filmed by Guillermo Escalón in July 1981, it shows daily life in territories under guerrilla control in the Francisco Sánchez Northeastern Front, Department of Morazán,

José Antonio Sistiaga is one of the greats in Basque contemporary art. Through lively exchanges begun in 1993 with his Salvadoran friend Manuel Sorto, we plunge into Sistiaga's intellectual intimacy and travel through a Basque history, following the steps of this experimental filmmaker and artist. This nearly two-decades-old project was taken up again in 2011, with the filming of the installation of Sistiaga's retrospective exhibition in San Sebastian, Basque Country, Spain.

Filmed during the Salvadoran civil war, La luz que te decía documents the struggles of the country’s labor and trade union movement amid escalating political violence. Through strike footage, congress meetings, marches, and first-person testimonies, the film portrays a society marked by state repression, workers’ mobilization, and efforts to build national and international solidarity. The documentary pays particular attention to the strike of the National Water Authority workers (ANDA), featuring members of the SETA union who describe the causes of the protest, the repression they faced, and the survival strategies adopted during the conflict. Testimonies from other unions, grassroots organizations, and international labor groups broaden the film’s perspective beyond a single labor dispute.

Filmed by Guillermo Escalón in July 1981, it shows daily life in territories under guerrilla control in the Francisco Sánchez Northeastern Front, Department of Morazán,

José Antonio Sistiaga is one of the greats in Basque contemporary art. Through lively exchanges begun in 1993 with his Salvadoran friend Manuel Sorto, we plunge into Sistiaga's intellectual intimacy and travel through a Basque history, following the steps of this experimental filmmaker and artist. This nearly two-decades-old project was taken up again in 2011, with the filming of the installation of Sistiaga's retrospective exhibition in San Sebastian, Basque Country, Spain.

José Antonio Sistiaga is one of the greats in Basque contemporary art. Through lively exchanges begun in 1993 with his Salvadoran friend Manuel Sorto, we plunge into Sistiaga's intellectual intimacy and travel through a Basque history, following the steps of this experimental filmmaker and artist. This nearly two-decades-old project was taken up again in 2011, with the filming of the installation of Sistiaga's retrospective exhibition in San Sebastian, Basque Country, Spain.