Anne Lindenmeyer

Patrice Enard’s ‘Pourvoir’ is a film mainly comprised of images of women in nature, his style is stark and repetitive, shots are angular, which both hide and reveal. There is though a visual poetry to his work - once the smoke dissipates, a sexual liberation emerges, with subtle flourishes in the staging and editing threaded together by Marxist and Freudian discourses.

Reel 26 of Gérard Courant’s on-going Cinematon series.

The encounter between a city, an opera, and a life.