John J. Flynn

Clara Bow: Discovering the 'It' Girl features scenes from 25 of her films, as well as interviews with family members and acquaintances.

Blonde, beautiful and talented, Marion Davies was the first and funniest screwball comedienne. As star of two of the best comedies ever made, Show People and The Patsy, she combined zany slapstick and exuberant mimicry. Glamorous, witty and kind, both on screen and off, Davies was also famous for her 35-year-long love affair with William Randolph Hearst.

The careers of D.W. Griffith, Mary Pickford, Douglas Fairbanks, and Charlie Chaplin are chronicled culminating in the formation of United Artists and 1919.

A man is on the run from a Big Brother-like security force.

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

This documentary explores the hidden art of Hollywood production design through interviews, workshop materials, design plans, and film clips. Looking at the artists behind some of cinema’s most memorable worlds, it examines how production designers shape the visual language and cultural iconography of film.

Clara Bow: Discovering the 'It' Girl features scenes from 25 of her films, as well as interviews with family members and acquaintances.

Blonde, beautiful and talented, Marion Davies was the first and funniest screwball comedienne. As star of two of the best comedies ever made, Show People and The Patsy, she combined zany slapstick and exuberant mimicry. Glamorous, witty and kind, both on screen and off, Davies was also famous for her 35-year-long love affair with William Randolph Hearst.

The careers of D.W. Griffith, Mary Pickford, Douglas Fairbanks, and Charlie Chaplin are chronicled culminating in the formation of United Artists and 1919.

Looks at the stereotype-breaking films of the period from 1929, when movies entered the sound era, until 1934 when the Hays Code virtually neutered film content. No longer portrayed as virgins or vamps, the liberated female of the pre-code films had dimensions. Good girls had lovers and babies and held down jobs, while the bad girls were cast in a sympathetic light. And they did it all without apology.

This documentary explores the hidden art of Hollywood production design through interviews, workshop materials, design plans, and film clips. Looking at the artists behind some of cinema’s most memorable worlds, it examines how production designers shape the visual language and cultural iconography of film.

This documentary explores the hidden art of Hollywood production design through interviews, workshop materials, design plans, and film clips. Looking at the artists behind some of cinema’s most memorable worlds, it examines how production designers shape the visual language and cultural iconography of film.