Tânia Toko

In 1979, Brazilian singer Sidney Magal is at the peak of his career. On a TV show, he meets Magali and, enchanted by the young woman, decides to win her over. But, in order to do that, he will have to overcome the resistance of his manager, Jean Pierre, and the distrust of her family, friends and even Magali herself.

Ayô is a young, gay, Black actor from Bahia, living in São Paulo, and dissatisfied with his love life. After some emotional disagreements with Manu, Ayô turns to dating apps, where he meets João, with whom he forms an instant connection. Professionally, Ayô also finds himself reflecting after Carla, his agent, makes him realize the harsh reality of being a Black artist in an inherently racist society.

Amadeu needs money, he and Gina are in trouble.Fate smiles on him when he finds a bag stuffed with a small fortune, which he ends up hiding. Now Gina has to find out where Amadeu kept the bag. But she's not the only one on the hunt for this fortune.

Experience Roque's routine years after the first movie. Joana's tenement is still full of parties, gossip and confusion. The neighborhood prepares for the Iemanjá party, while dealing with the controversies of the neighbors.

A police officer tries to find out who is to blame for a crime committed against a candidate for mayor of a small town. He hears versions of a hired killer, the victim's fiancée, and the candidate himself.

Friends of the recently deceased Quincas take their pal's body on one last tour of his favorite spots in Brazil's Bahia.

The 28-year history of the Olodum Theater Band, Latin America's longest-running black theater company. Created in Salvador in 1990, in partnership with the Olodum Cultural Group, the company was responsible for launching names such as Lázaro Ramos and Érico Brás. Gathering archive images and interviews with Bando members, collaborators and other guests, the group's trajectory is built.

During Carnival at the historic site of Pelourinho, we follow the lives of tenants in a run-down rental house who try to survive using creativity, irony, humor and music. This is an adaptation of the TV show, not the 2007 movie which inspired the TV show.

A street singer, a former prostitute and her jealous husband, two thieves, a teacher and two children. All strangers. All in the same place. Five stories that could be one: the search for what we call happiness.

During the Carnival in the historical site of Pelourinho, Salvador da Bahia, we follow the lives of the tenants of a falling-to-pieces tenement house who try to get by using creativity, irony, humor, and music.

The memories of Guiga, from early childhood to young adulthood: his family, relatives, friends, fears, dreams and reality in a still provincial city of Salvador, Bahia, from the 50s to the 70s.

No synopsis available yet.

Henry Czerny plays American journalist Michael Coleman, a strung-out expatriate writing for a Brazilian newspaper. His professional obsession is Father Stephen Louis, a mildly popular and charismatic priest who has been the major political opponent of the greedy and ruthless landowners of the Bahia region. Mysteriously, the usually outspoken Father Louis has been silent for three months. With the Brazilian Congress about to vote on a major land-redistribution bill that could potentially tip the balance of power even further, Father Louis’s support of the peasants and his condemnation of the landowners is more important than ever. Coleman sets out alone for the politically unstable Bahia region to capture a highly anticipated interview with the elusive priest.