Nadia Bastianelli

Adapted, in our day, from the Isidore Ducasse’s (called Lautréamont) book, Les Chants de Maldoror (The Maldodor's Chants). The film is a cinematic language essay which "tells", in a non-linear narrative, the activity of a consciousness that confronts, relentlessly, with its brightest part as the most obscure.

Alessia, a TV showgirl, tries to win the favor of an official. Amalia, a morning show host, satisfies the masochistic director in order to go to prime time. Stefania "works hard" to act in a risqué film by a famous director, but the part is stolen from her by her friend Beatrice, apparently only devoted to her studies.

After the death of their industrialist father leaves them each with 49% of his company shares, two quarrelling brothers go to war for the remaining 2%.