Alexander Schure

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

When Tubby the Tuba sets out to find a melody all of his own, his journey results in this enchanting and exciting musical tale. Tubby joins the circus and striving to be part of an orchestra, he travels to the Singing City where along the way he encounters many wonderful characters.

A short film created by Duane Palyka and Hank Grebe, artists and animators of the lab. It was a joint effort between the Computer Graphics Lab and the 2D animation studio, which was originally founded for the production of NYIT's 1975 film Tubby the Tuba. Animators a part of that team include John Gentilella and Francis Glebas. Mouse's Ear was mostly animated on paper before the drawings were scanned and lined, colored, and composited digitally. The film was originally presented to Vestron Video in 1985 or 1986 for possible distribution, however it was rejected and never saw a public release or screening.

When Tubby the Tuba sets out to find a melody all of his own, his journey results in this enchanting and exciting musical tale. Tubby joins the circus and striving to be part of an orchestra, he travels to the Singing City where along the way he encounters many wonderful characters.

A short film created by Duane Palyka and Hank Grebe, artists and animators of the lab. It was a joint effort between the Computer Graphics Lab and the 2D animation studio, which was originally founded for the production of NYIT's 1975 film Tubby the Tuba. Animators a part of that team include John Gentilella and Francis Glebas. Mouse's Ear was mostly animated on paper before the drawings were scanned and lined, colored, and composited digitally. The film was originally presented to Vestron Video in 1985 or 1986 for possible distribution, however it was rejected and never saw a public release or screening.