
Directing
Georges Rey
Born 1942-08-20 · Lyon, France
Born in 1942 in Lyon. Filmmaker, photographer, in 1976 he founded the experimental cinema called Le cinéma in Lyon. Programmer for the Espace Lyonnais d'Art Contemporain, he discovered the Underground thanks, in large part, to Andy Warhol.
Acting credits
Behind the camera
Warhol-inspired. A parade of the future protagonists of the "Cinéma" and "Cinéma Opéra" theaters in Lyon.
Viva
1974
Venice will always be the city of romantic conquests.
Don Juan
1980
NRAn action limits the film, the swing of a microphone over a speaker modulates the sound of the action. A staging that will not do what one surprises oneself to expect.
Microfilm
1980
NRNo synopsis available yet.
Portrait
1973
NRA cloudy sky hides the reality from us.
Waterspout
2014
NRWork with the most banal image possible, such as the images of the Post Office calendars.
Canards
1984
NRFlowers in compression and expansion, blurry and clear, ballet of flowers around which we turn, flowers in final bouquet. A choreography of these fascinating messengers of love.
Fleurs
1980
No synopsis available yet.
Les enfants gâtés de l'art
—
A static shot which lasts 38 minutes and portrays Philippe Parreno as a multilingual lecturer, whose topics include Philippo Lippi and Buren.
No More Reality
1992
Film by Georges Ray.
Graziella
1978
NRThe real is consumed and goes up in smoke. All that's left is an elusive shape, endlessly transforming. The frame limits its ascent to the top, depriving us of its disappearance in the air.
Fumée
1985
Year : 1977, Duration : 16', Concert in december 1977, Lyon
Punk ?
1977
The political thriller of Franck Na's Haircut.
Narcisse
1978
NRThree portraits, in relation to the Punk spirit, of Didier Ozil dressed in black, aggressive air, Gabriel Pouget, expressive in his passivity, Stéphane Varinard, puts charcoal on his face to disappear. Superimposed on the faces, the group Marie and the boys, the play of lights inside the Le Palace club in Paris and a country cemetery.
Triptyque
1978
1974, super 8 mm, couleur, muet, 3'
13 H 05
1974
Humorous portrait of the great specialist of video art in France. From one of his lectures only the silences remain. It's up to us to imagine what he might have said about video art. Removing speeches on video to become video.
Jean-Paul Fargier vidéo
1988
NRBetween dog and wolf, stones are thrown into perfectly still water. The sound of a dredger off-screen disrupts the complete silence of the place.
Les Ronds dans l'eau
1975
NRFor La Source de la Loire, I was in Paris, looking for a job... All the time, the word source followed me (it turns out that my grandparents lived near the source of the Loire.) The word source escapes the world, it gives without taking anything. Suddenly the autumn, it was necessary to shoot, but it was not for me, it had to become a necessity, one has to be wary because that is not what is in the film.
La Source de la Loire
1970
Evolutionary film that focuses on culture and nature. Ants, Cézanne, Picasso, Sainte-Victoire, Avignon, Place de l'Horloge, Venice and its canals, Carmen, La Tosca, Gros Caillou de la Croix-Rousse, Toulouse, Mirail, swimming...
L'amour la plus grande imposture de tout les temps
1976
Concert of Marie and the Boys in Fourvière Roman Theater in Lyon, on July 29, 1978. The sound does not match the image.
Marie et les Garçons Fourvière
1978
Unpacking a drawer, with its heterogeneous contents, of a secretary in an office, relentless repetition of the words "My name is Didier Ozil" illustrated by the images on the wall of his apartment, tailing consumers on a Saturday afternoon in the streets of Lyon, and the overflowing of garbage cans on the sidewalks of the city center.
Accumulations ou « Le monde le plus beau est comme un tas d’ordures répandues au hasard »
1976
5.0A naked man disappears into the light.
L’homme nu
1970
