Hugo Lobo Mejía

In the rural interior of Paraná, an elderly worker, ravaged by hunger, follows the trail of a mysterious black dog that hunts to survive.

From a peculiar narrative, “Esperanza” builds a subtle and simple allegory about the phenomenon of immigration of people from other South American countries to Brazil, in a relationship that reveals places of approximation, but also historical and dramaturgical spaces that point to the effects of a certain imperialism that surrounds such processes. All this concentrated in the suffocated atmosphere of the protagonist.

No synopsis available yet.

In the rural interior of Paraná, an elderly worker, ravaged by hunger, follows the trail of a mysterious black dog that hunts to survive.

From a peculiar narrative, “Esperanza” builds a subtle and simple allegory about the phenomenon of immigration of people from other South American countries to Brazil, in a relationship that reveals places of approximation, but also historical and dramaturgical spaces that point to the effects of a certain imperialism that surrounds such processes. All this concentrated in the suffocated atmosphere of the protagonist.

From a peculiar narrative, “Esperanza” builds a subtle and simple allegory about the phenomenon of immigration of people from other South American countries to Brazil, in a relationship that reveals places of approximation, but also historical and dramaturgical spaces that point to the effects of a certain imperialism that surrounds such processes. All this concentrated in the suffocated atmosphere of the protagonist.

From a peculiar narrative, “Esperanza” builds a subtle and simple allegory about the phenomenon of immigration of people from other South American countries to Brazil, in a relationship that reveals places of approximation, but also historical and dramaturgical spaces that point to the effects of a certain imperialism that surrounds such processes. All this concentrated in the suffocated atmosphere of the protagonist.

No synopsis available yet.