Helen O'Connor

Babe is a little pig who doesn't quite know his place in the world. With a bunch of odd friends, like Ferdinand the duck who thinks he is a rooster and Fly the dog he calls mum, Babe realises that he has the makings to become the greatest sheep pig of all time, and Farmer Hoggett knows it. With the help of the sheep dogs, Babe learns that a pig can be anything that he wants to be.

The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.

A true story. In 1937, a routine passenger and mail flight crashes during bad weather on a flight between Brisbane and Sydney. A local bushman begins his own search, and finds the wreckage and two survivors ten days after the crash.

An invisible force is killing women in Sydney and stealing their eyes.

The film is a story of the ways in which insurance investigator Roland Copping interferes in and manipulates the lives of others with outrageous games and gimmicks. Eventually he becomes involved in an escalating vendetta with a couple who make an unusual insurance claim.

After a nasty break-up with her boyfriend, Jane is on the verge of suicide when she is saved by a friendly cat.

A young ambulance driver befriends an elderly woman.

Frank Flynn is summonsed from New York by his brother Charlie to Vanuatu. He arrives only to find Charlie dead, and becomes involved with his late brother's partner, Viv, and Viv's unhappy wife, Anna.

George, hopelessly in love, has his heart broken by a fiery redhead named Ginge. As he stumbles home, fueled with grief, the familiar pathway turns into a nightmare. What appear to be figments of George's imagination, develop into haunting hallucinations by seductive females of the ginger persuasion. One after the other, they come at him from every angle. There is no escaping their zombie like presence. Is it a simple case of withdrawal, or something more ominous?