Nick McKinney

The Kids in the Hall is a Canadian sketch comedy group formed in 1984, consisting of comedians Dave Foley, Kevin McDonald, Bruce McCulloch, Mark McKinney, and Scott Thompson.

A collection of vignettes highlighting different aspects of the life, work, and character of the acclaimed Canadian classical pianist.

Follow Prince Andrew, whose behavior brought scandal and disgrace to the royal family. Pushing him into the sex offenders Jeffrey Epstein and Ghislaine Maxwell, and then into a sex trafficking scandal that threatens the House of Windsor.

THE SOUND OF THE CARCERI explores the deep relationship between music and architecture through a high-tech 'virtual confrontation' between Bach and his contemporary, the architect Giovanni Battista Piranesi. Using a striking visual style, director Francois Girard ('The Red Violin' and 'Thirty-Two Short Films about Glenn Gould') places Yo-Yo Ma within a series of computer-generated, three-dimensional recreations of Piranesi's well-known prison etchings. Through Yo-Yo Ma's and music producer Steven Epstein's struggle to recreate and interact with the imaginary space that Ma performs in, the film examines the complexity of illusion, of representation and reality.

Standup special recorded at The Funny Bone in Newport, Kentucky.

The Kids in the Hall is a Canadian sketch comedy group formed in 1984, consisting of comedians Dave Foley, Kevin McDonald, Bruce McCulloch, Mark McKinney, and Scott Thompson.

Follow Prince Andrew, whose behavior brought scandal and disgrace to the royal family. Pushing him into the sex offenders Jeffrey Epstein and Ghislaine Maxwell, and then into a sex trafficking scandal that threatens the House of Windsor.

THE SOUND OF THE CARCERI explores the deep relationship between music and architecture through a high-tech 'virtual confrontation' between Bach and his contemporary, the architect Giovanni Battista Piranesi. Using a striking visual style, director Francois Girard ('The Red Violin' and 'Thirty-Two Short Films about Glenn Gould') places Yo-Yo Ma within a series of computer-generated, three-dimensional recreations of Piranesi's well-known prison etchings. Through Yo-Yo Ma's and music producer Steven Epstein's struggle to recreate and interact with the imaginary space that Ma performs in, the film examines the complexity of illusion, of representation and reality.

Standup special recorded at The Funny Bone in Newport, Kentucky.