Zé Kielwagen

Iemanjá, folk festivals, the Moon, Tim Maia, cosmic superstitions, American cinema and its conglomerates swallowing up our cinema.

A documentary about the creative process of Gurcius Gewdner.

Two missionaries travel through the forest searching for the last uncontacted tribe, at the mythical city of Ragatanga. Lost and disoriented, they face supernatural threats that put their faith to the ultimate test.

Two missionaries travel through the forest searching for the last uncontacted tribe, at the mythical city of Ragatanga. Lost and disoriented, they face supernatural threats that put their faith to the ultimate test.

Two missionaries travel through the forest searching for the last uncontacted tribe, at the mythical city of Ragatanga. Lost and disoriented, they face supernatural threats that put their faith to the ultimate test.

"GEDE VIZYON" takes its viewer on an unusual tour of the Grand Cemetery of Port-au-Prince, Haiti. While exploring the material and immaterial intricacies of the cultural, spiritual and historical space that is the cemetery, the camera takes on a life of its own. Running amok in the labyrinthine structure of its environment, it captures evocative sounds and images on its erratic voyage.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

Haitian artist and activist Sanba Yonel creates a queer tribute to the Lwa, Vodou gods and goddesses who once inspired a revolution. In Haiti, men perceived as feminine are known as masisi. The word is often used as a slur on gay men, transvestites and non-binary folks. Sanba Yonel comments on the plight of the masisi who, faced with prejudice and hostility, find shelter in the religious context of Vodou.

In a fictitious country, the newly elected president and first lady are faced with supernatural powers that put their love to the test.

In a fictitious country, the newly elected president and first lady are faced with supernatural powers that put their love to the test.

In a fictitious country, the newly elected president and first lady are faced with supernatural powers that put their love to the test.