Esmaeil Mihandoost

This movie is a romance scene in the context of a city trip in Tehran, where the main character of the film is trying to maintain the balance between the four personality dimensions of a woman (Mistress, Mother, Amazon, and Madonna archetypes). Like the very close encounter, this movie has a playfulness and narcissistic feelings besides thematic and temporal concerns.

An accident occurs on the highway involving two female drivers. The driver of the rear vehicle falls into a coma due to severe injuries. During the investigation, the officer in charge of the case becomes suspicious of the nature and circumstances of the accident.

An Iranian movie star has a trip to US for a film festival. She misses her plane in Las Vegas and needs to stay there for few hours.

This movie is a romance scene in the context of a city trip in Tehran, where the main character of the film is trying to maintain the balance between the four personality dimensions of a woman (Mistress, Mother, Amazon, and Madonna archetypes). Like the very close encounter, this movie has a playfulness and narcissistic feelings besides thematic and temporal concerns.

This movie is a romance scene in the context of a city trip in Tehran, where the main character of the film is trying to maintain the balance between the four personality dimensions of a woman (Mistress, Mother, Amazon, and Madonna archetypes). Like the very close encounter, this movie has a playfulness and narcissistic feelings besides thematic and temporal concerns.

An accident occurs on the highway involving two female drivers. The driver of the rear vehicle falls into a coma due to severe injuries. During the investigation, the officer in charge of the case becomes suspicious of the nature and circumstances of the accident.

An Iranian movie star has a trip to US for a film festival. She misses her plane in Las Vegas and needs to stay there for few hours.