Nelson Bourrec Carter

In a deserted high school, a group of teenagers gathers for a mysterious choral ritual.

No synopsis available yet.

Road trips through Los Angeles, famous verses in the Poetry Lounge and love in times of the pandemic: Rendezvous with an old flame, fourty years later. After Jaurès (2012), Vincent Dieutre presents another tender autofictional piece in the Forum.

A seemingly disembodied voice reflects on what it takes to survive, in a world modeled after a perception of reality far from the one it experiences on a daily basis.

A young man walks through the residential neighborhood of Levittown, the first American suburbia, while enacting a monologue made out of oddly familiar lines. As the sun sets, a young woman in a nearby house is confronted with an invisible menace.

In a deserted high school, a group of teenagers gathers for a mysterious choral ritual.

In a deserted high school, a group of teenagers gathers for a mysterious choral ritual.

In a deserted high school, a group of teenagers gathers for a mysterious choral ritual.

A seemingly disembodied voice reflects on what it takes to survive, in a world modeled after a perception of reality far from the one it experiences on a daily basis.

A seemingly disembodied voice reflects on what it takes to survive, in a world modeled after a perception of reality far from the one it experiences on a daily basis.

A young man walks through the residential neighborhood of Levittown, the first American suburbia, while enacting a monologue made out of oddly familiar lines. As the sun sets, a young woman in a nearby house is confronted with an invisible menace.

A young man walks through the residential neighborhood of Levittown, the first American suburbia, while enacting a monologue made out of oddly familiar lines. As the sun sets, a young woman in a nearby house is confronted with an invisible menace.