Françoise Widhoff

Documents the lives of infamous fakers Elmyr de Hory and Clifford Irving. De Hory, who later committed suicide to avoid more prison time, made his name by selling forged works of art by painters like Picasso and Matisse. Irving was infamous for writing a fake autobiography of Howard Hughes. Welles moves between documentary and fiction as he examines the fundamental elements of fraud and the people who commit fraud at the expense of others.

A 16-year-old girl, bored with her own age group, becomes involved with an older man at a theater she passes.

This is the story of a filmmaker. Alain Cavalier, always accompanied by his camera, continues to film life with passion, still learning about himself and, above all, about others. However, he is growing older and sees his speed, his vitality, his boldness, and his lightheartedness waning. With a slight lump in his throat but still laughing, he keeps a video diary of his farewell to cinema. This will be his last film.

Paris, summer 1942. Irene is a young, bubbly, 19-year-old Jewish girl. Her family watches her discover the world, friends, new love and a passion for the theatre. The aspiring actress is living her youthful life without a care in the world, but she does not know that time may be running out.

Laura, a French programmer, inherits the task of creating a game about the World War II Battle of Okinawa. Her research and interviews with Japanese experts and witnesses prompt her to reflect on life, humanity, and the lasting influence of history and memories.

"This film begins on the 5th of March. Every year, on this exact date, an ant comes in under my front door and I watch it. For her, it’s the beginning of spring, for me it’s my mother’s birthday. The ant feeds its queen who then lays eggs and I ask myself the question of whether I do or do not want to have a baby just at the point when my mother, who is suffering from cancer, is approaching the end of her life.” – Zoé Chantre

Laura, a French programmer, inherits the task of creating a game about the World War II Battle of Okinawa. Her research and interviews with Japanese experts and witnesses prompt her to reflect on life, humanity, and the lasting influence of history and memories.

"This film begins on the 5th of March. Every year, on this exact date, an ant comes in under my front door and I watch it. For her, it’s the beginning of spring, for me it’s my mother’s birthday. The ant feeds its queen who then lays eggs and I ask myself the question of whether I do or do not want to have a baby just at the point when my mother, who is suffering from cancer, is approaching the end of her life.” – Zoé Chantre