Ignacia Baeza

Drama told from the point of view of a live-in maid, working for a middle class couple with a young child, in the suburbs of Santiago, Chile.

Gastón Fernández has arrived at 34 without too much to show or brag about. He has no money, job, girlfriend, friends or life plan. He's a composer that doesn't compose. The one-time "most likely to succeed" at Santiago's Musical Conservatory has passed from promise to failure. He feels he is beginning to wander alone. Isolated and detached. Gastón feels that everyone judges him and see the word loser tattooed on his forehead. At the same time, an alter-ego, a sort of doppelgänger, haunts him.

Working in a recycling factory, a group of people come together and decide to restart their lives finding themselves through love and self-improvement.

In the '80s, Tito, a 17 year old boy, faces a difficult choice: leave school and follow the road to university or front his past and take on a battle against the dictatorship. Motivated by Cecilia, who he secretly loves, and his father, Tito passes from an adolescence without worries to the responsibility of taking justice into his own hand. Integrity mixed with commitment, will crossed by want, fear associated with the pleasure of adrenaline, the reasons behind the violence, are the contradictions of Tito and his friends. In the end, Tito and his opponent Ricardo, a police officer who he knows since childhood, end up facing each other in a terrifying game. The type of game in which nobody wins.