Naqqash Khalid

Tommy, a volatile 19-year-old, revels in drugs, parties and violence. After getting separated from his friends on a drunken bender, he is abducted by a shadowy figure. He wakes to find himself imprisoned in the basement of a remote Yorkshire house, inhabited by a very strange family. But what unfolds is not what he could possibly expect.

A look at why Hamlet, a play that’s over 400 years old, holds a mirror up to society today. Filmed across four days of workshops with youth theatre groups across London: The Big House, Bush Theatre Young Companies, Centre 59, and Open Door.

‘Stock’ is a genre-bending short film set in the Manchester Warehouse district. The story follows a Frenchman, newly living in the UK, who becomes caught up in an unwanted conflict with the authorities. An absurd, Post-Brexit fairy tale that plays with language, miscommunication, and European anxiety.

FLINT returns to his childhood home to heal. He quickly falls back into familiar routines—then into violence.

A young man spends most of his time recording self-tapes for parts he never gets. After multiple rejections for a series of nightmarish commercial auditions, he takes it upon himself to find a new part to play.

Tommy, a volatile 19-year-old, revels in drugs, parties and violence. After getting separated from his friends on a drunken bender, he is abducted by a shadowy figure. He wakes to find himself imprisoned in the basement of a remote Yorkshire house, inhabited by a very strange family. But what unfolds is not what he could possibly expect.

A look at why Hamlet, a play that’s over 400 years old, holds a mirror up to society today. Filmed across four days of workshops with youth theatre groups across London: The Big House, Bush Theatre Young Companies, Centre 59, and Open Door.

‘Stock’ is a genre-bending short film set in the Manchester Warehouse district. The story follows a Frenchman, newly living in the UK, who becomes caught up in an unwanted conflict with the authorities. An absurd, Post-Brexit fairy tale that plays with language, miscommunication, and European anxiety.

FLINT returns to his childhood home to heal. He quickly falls back into familiar routines—then into violence.

FLINT returns to his childhood home to heal. He quickly falls back into familiar routines—then into violence.

A young man spends most of his time recording self-tapes for parts he never gets. After multiple rejections for a series of nightmarish commercial auditions, he takes it upon himself to find a new part to play.

A young man spends most of his time recording self-tapes for parts he never gets. After multiple rejections for a series of nightmarish commercial auditions, he takes it upon himself to find a new part to play.