Claudia Paz

A man's wife commits suicide and appears to him as a ghost. The ghost follows him everywhere – under the bed, under tables… After seeing the ghost so frequently, the man begins to resemble her.

Isidora, an old woman, discovers that her mind is quickly deteriorating. At an apparently relaxed dinner table, she will desperately try to hide her state from her daughter, a demanding woman who awaits any sign of senility in order to take way everything she has.

María Luisa Bombal is an underground writer in the early twenties trying to reconcile her passionate and very sexual lifestyle with her life as a socialite among Santiago's very conservative elite.

Raquel has been the live-in housekeeper for a kind, reasonably wealthy family for half her life, and the joyless repetition of the job has begun to take its toll. Increasingly dependent on painkillers, Raquel resorts to pranks and childish avoidance to antagonize the family’s college-age daughter and a procession of new servants, all in the hopes of protecting her precarious power within the home. Her antics successfully push everyone away, until new maid Lucy actually pushes back.

Elisa, a lonely and shy librarian, moves to live in a downtown building, without knowing the killing of a young student took place there some time ago. A strange feeling taking over her will cause a drastic personality change while also leading her to unveil the secret behind the murder.

Dramatic comedy that raise questions through satire about the moral tradition of Chilean society, its dogmatism and sexual intolerance and the repressive nature of the country's traditional family.

Many socially-concerned priests in Catholic Latin America have at some time left their parish churches to go and work in the fields and factories of the poor. Such priests, usually adherents of "liberation theology," are called "worker-priests." This Chilean film tells the story of how one man became a "worker-priest" and won the trust of the poor.

A story inspired by real events that took place in the port of Valparaiso. Four poor children have been abandoned because their father, who is out of work, steals cattle to feed them and the police have arrested him. The story takes up the children's point of view and is structured in four episodes that describe their inevitable descent into the world of marginality and crime. Faced with life in a brutal way, from their problematic social situation, they head towards a marginality that is difficult to avoid.