Kasper Bajon

Fyodor Dostoyevsky and his wife Anna travel to Europe for their honeymoon and end up staying in a health resort in Switzerland, only to return to Russia after four years. Fyedya can’t shake his roulette habit and keeps losing their money. His wife accepts this fate since he keeps assuring her that it’s all for inspiration and soon he shall write his to-be masterpiece, 'The Idiot'.

The film depicts the momentous and tragic history of the Poznan uprising of 1956. The memory of the director, who was a nine-year-old boy at the time, is the only canvass of the script. The main characters of the black-and-white film are two boys aged ten and twelve. From their perspective, the viewer follows the development of events. From the depths of the gates, through the rails of fences and cluttered backyards, through the eyes of the children we watch the street riots. The film, without action in the literal sense of the word, was made using a reportage technique that perfectly captures the spontaneity of the Poznan uprising. Among other things, the author of the picture depicts the adventures of a young worker Zenek, who becomes the unwitting leader of the protest, and five professors, who by chance find themselves in the very center of events.

A middle-class Polish make a trip across the Balkans, heading for a refugee camp on the Macedonian-Greek border.

Fyodor Dostoyevsky and his wife Anna travel to Europe for their honeymoon and end up staying in a health resort in Switzerland, only to return to Russia after four years. Fyedya can’t shake his roulette habit and keeps losing their money. His wife accepts this fate since he keeps assuring her that it’s all for inspiration and soon he shall write his to-be masterpiece, 'The Idiot'.

A middle-class Polish make a trip across the Balkans, heading for a refugee camp on the Macedonian-Greek border.