Tanja Smoje

A story about a forbidden love set in a village threatened by swollen rivers. Upon his return home for his father’s funeral, Slaven revives his relationship with his childhood friend, a young sportsman named Marko, his teenage love, and the reason his father kicked him out of the house. Now tempted to reunite, they need to make peace with their own decisions and struggle against the family restraints.

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

Maša, beset by anxious reality in which she takes care of her ill mother, flees into the world of imagination, trying to create her own fairy tale. A phone call informs her of the death of a man she doesn't even know and she, without too much hesitation, decides to attend his funeral.

After the death of her father, young scientist Ana struggles with an identity crisis, being the last member of a once large family. The changes inside her are suddenly reflected in reality – loneliness, crisis, emigration – and her scientific research on mystical symbols and human traces left in stone are mysteriously intertwined with her life.

Josip is a goalkeeper. Known and loved among football fans. As a result of an accident, the security network of social and material assurance suddenly disappears from around the goalkeeper. Josip falls on a skiing trip and now has to undergo rehabilitation at a sanatorium. In this world filled with tedious and meaningless chatter, Josip assumes the role of an outside observer.

The film follows the life of Mijo and his family in a poor Croatian village, during the turbulent years of World War II. The non-linear and elliptical plot gradually forms a clear picture that testifies to the eternal cycle of history and the impossibility of a real change in the Balkans.

On the day of an inauguration to head the family business Stane confronts marriage, love and patriarchy.

On the eve of Mirjana’s 20 year work anniversary, when she is to receive an award at a modest celebration, her interactions with her loved ones illustrate her whole life: the one behind her, the one she is living and the one that is yet to come. «A Blue Flower» is a film about a woman, about a mother and a daughter, a film that evokes emotional associations and urges us to take a long hard look at ourselves.

Under the burning sun, beachgoers are trying to take advantage of every minute of their paid trip to a desolate beach. Among them are a mother with her grown son, two ladies and their dog, a passive-aggressive married couple, loud Italians, happy Hungarians, and an overweight, possibly dead, German lady.

The Trampoline is not a romantic love story - it is a film about a powerful and sometimes double-edged love, and the darker side of a mother-daughter bond that has been stretched to breaking point.

Petar is a young police officer living with his parents in a small house, and they are about to face eviction. During one distraint, Petar oversteps his authority and tries to protect the older married couple whose property is being seized. Petar knows that the system doesn't work. However, things are not that simple.

Marinko, an assistant worker in the tow-away service has had visions of Virgin Mary. He does not know what to do with her.

In the 1990s, the Yugoslavia Federation falls apart in bloody wars. Perpetual student Milan, a Serb from a patriarchal community, and Kenan, a Muslim cellist, are a gay couple living in Sarajevo. Their lives, intimate and public, are shaken up by the aggression in Bosnia and Herzegovina, whose devastating consequences unfold in inter-ethnic hatred.