Agustina Llambi Campbell

In 1969 Argentine filmmaker Hugo Santiago directed Invasión, his opera prima, written by Jorge Luis Borges and Adolfo Bioy Casares, and later settled in France. This film documents his return to Buenos Aires in 2013 to shoot his latest film, Le ciel du centaure.


In the 1980s, a team of lawyers takes on the heads of Argentina's bloody military dictatorship in a battle against odds and a race against time.

When a woman is admitted by her daughters to a psychiatric clinic for her carefree ways, an expert must judge if she is ill or simply wants to enjoy life.

A high-ranking officer infiltrates groups peacefully organizing to demand the release of detained relatives. Argentina was under military rule from 1976 to 1983, a period in which tens of thousands of people disappeared. The abovementioned groups were giving rise to a form of civil resistance at the heart of the dictatorship that was running the country.

Three women meet by chance at the end of the world, in Argentinian Patagonia, and set out on a polyamorous journey, caught up in the search for new kinds of relationships, far from possession and pain. They become the Daughters of Fire, a band dedicated to helping those women who look for their own path to erotica.

A rural police officer investigates the bizarre case of a headless woman's body. The prime suspect blames the crime on the appearance of a legendary monster.

Blondi and Mirko live together, listen to the same music, watch the same films, like to smoke pot and share the same friends. But, even though they seem to be the same age, Blondi is Mirko's mother.

1889. On the occasion of the Centennial Celebration of the French Revolution, Argentina sends a dozen Selk'nam Indians to the Argentinian Pavilion at the World's Fair. The epistolary exchange between a French and an Argentine diplomat reveals the absurd horror of the bureaucracy involved in creating a Human Zoo.

Roque starts University in Buenos Aires but he is not particularly interested in attending classes or working towards a degree. Instead, he dedicates his time to one of the many groups vying for control of the university, motivated less by grand political ideals than by a wish to get close to Paula, an attractive young teacher heavily involved in internal university politics.

Ana, Manuel and Leo, three young people in modern-day Buenos Aires, get caught in a spiral of coincidence and suspicion, misconduct and persecution. None of them is innocent.