Tracey Emin

An intimate portrait of British sculptor Rachel Whiteread as she unpacks her life's work for a major retrospective at Tate Britain in London. Her work explores themes of memory and absence, casting sculptural forms from familiar domestic objects small and large, from sinks and hot water bottles to living rooms - and a terraced house.

This groundbreaking documentary unlocks the hidden psychology of J.M.W. Turner through his 37,000 private sketches, drawings, and watercolours – an extraordinary archive that reveals the man behind the masterpieces. For the first time on television, these pages – Including erotic sketches previously thought to have been destroyed – are used as a window into Turner’s inner world, exposing his private thoughts, creative obsessions and emotional life. Rarely writing about himself, Turner left behind few clues to his personality. But in his sketchbooks, his restless imagination and vulnerabilities come vividly to life. They guide viewers through Turner’s life and art, revealing how his 37,000 sketches not only chart his creative evolution but also provide an unprecedented psychological portrait of a man both visionary and vulnerable.

In the 1960s, British painter Francis Bacon surprises a burglar and invites him to share his bed. The burglar, a working class man named George Dyer, accepts. After the unique beginning to their love affair, the well-connected and volatile artist assimilates Dyer into his circle of eccentric friends, as Dyer's struggle with addiction strains their bond.

Freedom Uncut chronicles the tumultuous — yet creatively fruitful — period of George Michael’s life and career following the release of his 1987 solo debut, Faith, then through the creation and release of his 1990 follow-up Listen Without Prejudice, Vol. 1. Along with documenting his creative efforts during this period, the doc will also explore his relationship with Anselmo Feleppa — who died from AIDS-related complications — as well as the death of Michael’s mother.

To celebrate the 100th anniversary of the birth of the surreal art movement, comedian Jim Moir (a.k.a. Vic Reeves) presents this documentary exploring the history of Dadism and the lasting influence it has had on himself and others.

Documentary that outlines the 1990s and the decade the changed the world.

Take That, Lionel Richie, Katy Perry, Andrea Bocelli, Sir Bryn Terfel, Freya Ridings and many more perform live from Windsor Castle in celebration of Their Majesties' coronation.

This documentary covers the span of George Michael's entire career, concentrating on the formative period in the late Grammy® Award winner’s life and career, leading up to and following the making of his acclaimed, best-selling album “Listen Without Prejudice Vol. 1” and his subsequent, infamous High Court battle with his record label that followed, while also becoming poignantly personal about the death of his late partner and first love, Anselmo Feleppa.

Following the release of All of Us Strangers, acclaimed British filmmaker Andrew Haigh shoots Tracey Emin and Russell Tovey alongside the Pet Shop Boys in the music video for new single A New Bohemia, taken from their latest album Nonetheless – released on Parlophone, and premiering exclusively on NOWNESS. Discussing the project, Andrew Haigh said, “I have loved the Pet Shop Boys since the release of Please. I have every album and have seen them play live many times over the years. Getting to make a music video with them has been a dream come true.” “We had a lovely sunny day in Margate filming this video with Andrew Haigh, fresh from his success with All of Us Strangers," Pet Shop Boys shared. "Thanks to Andrew and all concerned, in particular the many local residents who took part, including Russell Tovey and Tracey Emin.”

Artist Tracey Emin talks to Alan Yentob about her life, from her troubled early years in Margate to a series of breakthroughs in the 1990s.

Join Melvyn Bragg for an insightful journey into why “Art Matters,” With a career spanning over 60 years, Bragg passionately advocates for the importance of the arts as he reflects on his early experiences and engages with influential figures from the artistic world.

Why is it that art by male artists always sells for more than that of female artists? Is it subject matter? Is it machismo? Or is it plain old sexism? In this film, Tracey Emin crosses the country on a quest to find out. She meets artists such as Dame Maggi Hambling and Rachel Whiteread; curators such as Norman Rosenthal and gatekeepers such as Oliver Baker from Sotherby's? Have things changed? Or is it society that needs to change before the art market can follow?

In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.

With exclusive behind-the-scenes access, seldom-seen footage from the archives and a rare interview with Kirsty Wark, this is the story of a true visionary of British art.

Interviews of the cast and crew behind the scene of the music video 'This Is Hardcore' by Pulp

Traumatic experiences shape the lives of a group of teenage girls living in the seaside town of Margate.

Referred to as the Golden Mile and shot in slow motion on the beach in Margate, the town Emin grew up in, the artist rides on a horse at sunset while Delroy Wilson’s 'Riding For a Fall' plays.

Emin uses her emotional life as the source and subject matter of her art. This takes the form of narrative or documentation of traumatic events such as the death of a family member or close friend, her rape and her abortions, coupled with the direct expression of such feelings as love, hate, anger, fear and desire. By sharing thoughts and feelings of the type for which people are generally made to feel ashamed, Emin taps into collective experience in an affirmative way.

single channel video (shot on Super 8)

This documentary charts the affinities between Edvard Munch’s art and Tracey Emin’s, exploring the many unexpected ways that this godfather of expressionism resonates with one of Britain’s pre-eminent artists.

Executed in 2000, this work is number five from an edition of ten

"Have you ever regret about not having kids?" - "Yes, I have, Sometimes"

Traumatic experiences shape the lives of a group of teenage girls living in the seaside town of Margate.

Traumatic experiences shape the lives of a group of teenage girls living in the seaside town of Margate.

Referred to as the Golden Mile and shot in slow motion on the beach in Margate, the town Emin grew up in, the artist rides on a horse at sunset while Delroy Wilson’s 'Riding For a Fall' plays.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Emin uses her emotional life as the source and subject matter of her art. This takes the form of narrative or documentation of traumatic events such as the death of a family member or close friend, her rape and her abortions, coupled with the direct expression of such feelings as love, hate, anger, fear and desire. By sharing thoughts and feelings of the type for which people are generally made to feel ashamed, Emin taps into collective experience in an affirmative way.

single channel video (shot on Super 8)

3 min 40 seconds made in 1997

A candid video revealing in vivid detail the stoma Tracey Emin lives with – a pulsing, sunset-red orifice that may be variously identified in the surgent valves, halos and potent reds that punctuate Emin’s paintings.

2 minutes and 43 seconds made in 1996

Executed in 2000, this work is number five from an edition of ten

Executed in 2000, this work is number five from an edition of ten

"Have you ever regret about not having kids?" - "Yes, I have, Sometimes"

2 minutes and 48 seconds made in 1998 filmed in Norway