Elisa Celda

A group of documentary filmmakers retrace the steps of 19th century serial killer Manuel Blanco Romasanta, who blamed his crimes on lycanthropy.

A group of young people dance tirelessly in the dark with the aim of achieving absolute happiness through the vibration of their bodies in harmony with the Earth. The viewer witnesses an ancient battle between darkness and light. In this unusual proposal, the filmmaker Elisa Celda turns the movement, breathing and faces of her characters into fragile and mysterious cinematographic material.

Two enigmatic characters walk through a numb landscape, flat and timeless.

A festival of digestion on many scales, from planetary to microbial.

The film portrays a night shift of the last fishing community that uses the Art of Xávega, a traditional type of fishing that has barely evolved over the centuries, disappeared on the Spanish coast and in process of extinction in Portugal. At the same time, under the huge cliff and a few meters from the sea, other bodies roam the terrain in search of occasional sexual encounters.

Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.

A group of documentary filmmakers retrace the steps of 19th century serial killer Manuel Blanco Romasanta, who blamed his crimes on lycanthropy.

A group of documentary filmmakers retrace the steps of 19th century serial killer Manuel Blanco Romasanta, who blamed his crimes on lycanthropy.

A group of documentary filmmakers retrace the steps of 19th century serial killer Manuel Blanco Romasanta, who blamed his crimes on lycanthropy.

A group of young people dance tirelessly in the dark with the aim of achieving absolute happiness through the vibration of their bodies in harmony with the Earth. The viewer witnesses an ancient battle between darkness and light. In this unusual proposal, the filmmaker Elisa Celda turns the movement, breathing and faces of her characters into fragile and mysterious cinematographic material.

Two enigmatic characters walk through a numb landscape, flat and timeless.

A festival of digestion on many scales, from planetary to microbial.

The film portrays a night shift of the last fishing community that uses the Art of Xávega, a traditional type of fishing that has barely evolved over the centuries, disappeared on the Spanish coast and in process of extinction in Portugal. At the same time, under the huge cliff and a few meters from the sea, other bodies roam the terrain in search of occasional sexual encounters.

The film portrays a night shift of the last fishing community that uses the Art of Xávega, a traditional type of fishing that has barely evolved over the centuries, disappeared on the Spanish coast and in process of extinction in Portugal. At the same time, under the huge cliff and a few meters from the sea, other bodies roam the terrain in search of occasional sexual encounters.

Based on the negatives of the 33 'La Tauromaquia' engravings made by Goya in 1816, the director invites us to witness the transformation of bodies at the approach of death.