Jurgen Buedts

A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth.

Latif Al Ani photographed Iraq for 30 years before multiple wars arose. At the age of 86, he travels through his devastated country in search of the people and places he photographed at the time, sharing his pictures with Iraqis who today cannot imagine that the world in the photographs was real.

This is the story of 75-year-old Magnum member Harry Gruyaert. Coming from a repressed and grey background he discovers the lights and colour of Europe. Driven by the irresistible desire to be a photographer, he becomes a pioneer in European colour photography. It is the story of a restless vagabond, a questing soul who never stops hunting for images.

Iconic photographer Latif al-Ani travels across Iraq to find the people and places he took photos of before the wars. Acclaimed photographer Latif al-Ani, born in Baghdad in 1932, is known as the father of Iraqi photography. As the official photographer for presidents and the Iraqi Petroleum Company, his portfolio forms a unique visual archive of Iraq during its heyday from the 1950s to 1970s. His photos capture the abundance and complexity of a modern and cosmopolitan nation living in peace and harmony. But when Saddam Hussein rose to power, al-Ani stopped taking photos. After decades of war, al-Ani travels across Iraq with his photographs in search of the remnants of his beautiful country.

Neighbours bring their leftovers, volunteers feed and clean them, and children come to pet them. When they’re alone, the pigs enjoy a playful, muddy life – scratching, wriggling and eating together. However, the outside world becomes a continual disruption. Director Jimmy Kets brings a tenderness and humour to the pigs’ existence, whilst highlighting their lack of agency in their relationship with humans.

A woman’s Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth.

Latif Al Ani photographed Iraq for 30 years before multiple wars arose. At the age of 86, he travels through his devastated country in search of the people and places he photographed at the time, sharing his pictures with Iraqis who today cannot imagine that the world in the photographs was real.

This is the story of 75-year-old Magnum member Harry Gruyaert. Coming from a repressed and grey background he discovers the lights and colour of Europe. Driven by the irresistible desire to be a photographer, he becomes a pioneer in European colour photography. It is the story of a restless vagabond, a questing soul who never stops hunting for images.

Iconic photographer Latif al-Ani travels across Iraq to find the people and places he took photos of before the wars. Acclaimed photographer Latif al-Ani, born in Baghdad in 1932, is known as the father of Iraqi photography. As the official photographer for presidents and the Iraqi Petroleum Company, his portfolio forms a unique visual archive of Iraq during its heyday from the 1950s to 1970s. His photos capture the abundance and complexity of a modern and cosmopolitan nation living in peace and harmony. But when Saddam Hussein rose to power, al-Ani stopped taking photos. After decades of war, al-Ani travels across Iraq with his photographs in search of the remnants of his beautiful country.

Neighbours bring their leftovers, volunteers feed and clean them, and children come to pet them. When they’re alone, the pigs enjoy a playful, muddy life – scratching, wriggling and eating together. However, the outside world becomes a continual disruption. Director Jimmy Kets brings a tenderness and humour to the pigs’ existence, whilst highlighting their lack of agency in their relationship with humans.