Guadalupe Yepes

1977, Argentina. Gina (37) is obsessively trying to conceive a child with her husband Carlos (58), with whom she previously lost a baby before birth. Carlos is a powerful businessman involved in shady deals with the military during the dictatorship. A former equestrian champion, Gina finds solace in horseback riding to escape the anguish of not becoming a mother. One afternoon, she gives in to the attraction she feels for the stable boy at her riding club. They become lovers, but she soon realizes that love alone cannot heal her wounds. Later, she finds out the army has kidnapped her best friend. In search of help, she turns to a captain from her husband's inner circle – unaware that she's walking into a trap.

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In a futuristic world where women run the show, a shy plastics designer buys a female robot, so he gains confidence and becomes a ladies' man.

No synopsis available yet.

1977, Argentina. Gina (37) is obsessively trying to conceive a child with her husband Carlos (58), with whom she previously lost a baby before birth. Carlos is a powerful businessman involved in shady deals with the military during the dictatorship. A former equestrian champion, Gina finds solace in horseback riding to escape the anguish of not becoming a mother. One afternoon, she gives in to the attraction she feels for the stable boy at her riding club. They become lovers, but she soon realizes that love alone cannot heal her wounds. Later, she finds out the army has kidnapped her best friend. In search of help, she turns to a captain from her husband's inner circle – unaware that she's walking into a trap.

1977, Argentina. Gina (37) is obsessively trying to conceive a child with her husband Carlos (58), with whom she previously lost a baby before birth. Carlos is a powerful businessman involved in shady deals with the military during the dictatorship. A former equestrian champion, Gina finds solace in horseback riding to escape the anguish of not becoming a mother. One afternoon, she gives in to the attraction she feels for the stable boy at her riding club. They become lovers, but she soon realizes that love alone cannot heal her wounds. Later, she finds out the army has kidnapped her best friend. In search of help, she turns to a captain from her husband's inner circle – unaware that she's walking into a trap.

1977, Argentina. Gina (37) is obsessively trying to conceive a child with her husband Carlos (58), with whom she previously lost a baby before birth. Carlos is a powerful businessman involved in shady deals with the military during the dictatorship. A former equestrian champion, Gina finds solace in horseback riding to escape the anguish of not becoming a mother. One afternoon, she gives in to the attraction she feels for the stable boy at her riding club. They become lovers, but she soon realizes that love alone cannot heal her wounds. Later, she finds out the army has kidnapped her best friend. In search of help, she turns to a captain from her husband's inner circle – unaware that she's walking into a trap.

A couple meets in a restaurant to sort out the future of their relationship, marked by mistrust. In this meeting, where both are trapped in a one-sided story, the inside will burst into the outside, breaking the fourth wall.

A couple meets in a restaurant to sort out the future of their relationship, marked by mistrust. In this meeting, where both are trapped in a one-sided story, the inside will burst into the outside, breaking the fourth wall.

Joaco's infidelity breaks up the couple with Vanesa. Trying to maintain a friendly relationship is a possibility that Vanesa accepts because she cannot think without him. The acceptance of the separation will be a painful path but one of personal growth.

Joaco's infidelity breaks up the couple with Vanesa. Trying to maintain a friendly relationship is a possibility that Vanesa accepts because she cannot think without him. The acceptance of the separation will be a painful path but one of personal growth.

Two apples is a boundless and necessarily fallacious hypothesis of this ephemeral encounter.