Milica Šćepanović

It's a story about Stefan and Sanja a couple going on vacation, during the journey they start to play a game. A game where they first meet each other. As they getting to know each other it reveals unknown sides of the partner, leading to jealousy ending with a tragic end for both of them.

A family in the suburbs of Podgorica, the capital of Montenegro, invites a priest to bless their home. The priest has some other engagements and decides to bend the rules of the Church and sends PETAR who works as a deacon in the church. Petar is not a man of faith. Nonetheless, Petar has found faith in another place - the betting shop.

Torn between her father’s invisible illness and a community that doesn’t understand it, a woman chooses to fight to save herself, even if that fight unleashes a darkness within.

It's a story about Marija, a girl who lives in a remote village in the north of Montenegro. Because of poverty and unemployment, her father wants to marry her for local peasant. In order to earn money for the departure Marija decides to go through prostitution to earn needed cash.

A Montenegrin teenager is sent to Serbia in order to evade blood-feud caused by his father's reckless behavior. Little does he know that even greater dangers await for him. In Belgrade he will face both the avengers who went after him and this metropolis' very own nightlife and foxy ladies. And in cities like Belgrade - women and nightlife can be deadlier than a bullet. People of Montenegro are known for their specific mentality and system of values, not unlike Sicilians, Corsicans or Cretans.

"Lazy Guy" is a look at the life of many youth and their families in Montenegro's capital city, Podgorica. Through the story of a young man struggling to find a job, the film attempts to show the culture, economic conditions of the country and how the normalization of corruption and dishonesty has led to despair and apathy."Lazy Guy" refers to the stereotyping of Montenegrins as lazy people. Through the experience of the main character, fighting against chronic hardship and disillusionment, in an environment knowing little prosperity, we should come to see the error of the label.

On a winter night in Podgorica, a mother escapes with her nine-year-old son and turns their red Golf into a moving refugee. As her abusive husband closes in and the boy’s loyalty wavers, survival starts to cost them each other.