Directing
Ana Hušman
Known for
Directing
Credits
8 titles
Known for
NRMarket shoppers use all of their senses when trying to ascertain whether the groceries are local or imported. The privileging of local produce over imported goods is ever present regardless of whether or not the groceries actually are better, this follows to lines of argument – that by buying Croatian produce they are supporting Croatian agriculture and that domestic produce is familiar and tastier, although it is not the origin of the goods but the method of its production that counts. They rather chose to buy local goods simply because it is "our" , Croatian, local produce, and not some foreign, unfamiliar and alien foodstuff which is therefore deemed of lesser quality.
The Market
2006
NRA living room. A place where the private space of a flat is on public display. Using memory, supposition and measurable architectural elements, the space of the living room is continuously constructed and reconstructed, and the action grows into an interpretation of past, present and possible events and relationships.
A Room for Living
2018
NRThrough observing the landscape and models of cohabitation between living and non-living entities, Croatian experimental filmmaker Ana Hušman, examines the ways in which memories are built and narratives formed. And also how they disappear and fragment. A caring cinematic homage to female members of Hušman's family, as well as to Lika, a neglected, sparsely populated region from where they originate.
I Would Rather Be a Stone
2024
NRMexico city. 2 squads us and them playing 51 min. 1:0.
Football
2011
Behind the camera
NRMarket shoppers use all of their senses when trying to ascertain whether the groceries are local or imported. The privileging of local produce over imported goods is ever present regardless of whether or not the groceries actually are better, this follows to lines of argument – that by buying Croatian produce they are supporting Croatian agriculture and that domestic produce is familiar and tastier, although it is not the origin of the goods but the method of its production that counts. They rather chose to buy local goods simply because it is "our" , Croatian, local produce, and not some foreign, unfamiliar and alien foodstuff which is therefore deemed of lesser quality.
The Market
2006
NRMarket shoppers use all of their senses when trying to ascertain whether the groceries are local or imported. The privileging of local produce over imported goods is ever present regardless of whether or not the groceries actually are better, this follows to lines of argument – that by buying Croatian produce they are supporting Croatian agriculture and that domestic produce is familiar and tastier, although it is not the origin of the goods but the method of its production that counts. They rather chose to buy local goods simply because it is "our" , Croatian, local produce, and not some foreign, unfamiliar and alien foodstuff which is therefore deemed of lesser quality.
The Market
2006
NRA living room. A place where the private space of a flat is on public display. Using memory, supposition and measurable architectural elements, the space of the living room is continuously constructed and reconstructed, and the action grows into an interpretation of past, present and possible events and relationships.
A Room for Living
2018
NRA living room. A place where the private space of a flat is on public display. Using memory, supposition and measurable architectural elements, the space of the living room is continuously constructed and reconstructed, and the action grows into an interpretation of past, present and possible events and relationships.
A Room for Living
2018
NRThrough observing the landscape and models of cohabitation between living and non-living entities, Croatian experimental filmmaker Ana Hušman, examines the ways in which memories are built and narratives formed. And also how they disappear and fragment. A caring cinematic homage to female members of Hušman's family, as well as to Lika, a neglected, sparsely populated region from where they originate.
I Would Rather Be a Stone
2024
NRThrough observing the landscape and models of cohabitation between living and non-living entities, Croatian experimental filmmaker Ana Hušman, examines the ways in which memories are built and narratives formed. And also how they disappear and fragment. A caring cinematic homage to female members of Hušman's family, as well as to Lika, a neglected, sparsely populated region from where they originate.
I Would Rather Be a Stone
2024
NRMexico city. 2 squads us and them playing 51 min. 1:0.
Football
2011
NRMexico city. 2 squads us and them playing 51 min. 1:0.
Football
2011
