Thiago Rodrigues

Carlão is a prejudiced man who works in a car dealership with Cadinho, Zeca and Antunes. In conversations between them, Carlão always boasts of being the greatest soccer and mechanics savvy, all amidst macho and homophobic jokes. When Evaristo is the target of such verbal assaults, he pursues him and locks him in a magic locker. From there comes Carlinhos, a homosexual alter ego that takes over Carlão's body when night comes.

The principal character in Helvécio Ratton's delightful film has been adapted from a book and comic created by the Brazilian cartoonist Ziraldo, and tells the tale of a happy-go-lucky 10-year-old child growing up in a city in the 60s.

This docudrama portrays the true story of Flordelis dos Santos, a strong and courageous woman from Rio de Janeiro, Brazil. She resided in the Jacarezinho favela, located in the northern zone of the city. From facing drug dealers to challenging judges, she had an eventful life. Her determination led her to shelter and care for over 40 abandoned children, showcasing her unwavering resilience.

After his death, infamous Rio de Janeiro mob boss Golden Mouth (named after his all-golden teeth) gets multiple accounts of his life told to the press by his former lover.

Over the course of one night, the trivial squabbles of five couples from the same apartment building escalate into potentially relationship-ending rows.

Tati is a typical teenager, unable to learn mathematics, but very intelligent when creating plans to escape the punishment of the mother. During the summer, she needs to hide that she has to do math classes to improve her grades, conquer Zeca, the most popular boy in school and also care for the heartache of her mother, who wants to try to find a new love.

Based on 'Death of a Man in the Balkans (2012)', an original feature film of Miroslav Momcilovic, 'Sorria, Você Está Sendo Filmado' ('Smile, You're Being Filmed') tells the story of a suicide, in only one shot of 80 minutes, from the perspective of a web cam which only the suicidal knew was on, giving the viewer the feeling of watching everything from his window. "From the screenplay to the shooting, we are doing a kind of reality cinema," sets this movie director Daniel Filho.