Yūko Mochizuki

Acting

Yūko Mochizuki

Born 1917-01-28 · Yokohama, Kanagawa Prefecture, Japan

Acting credits

Kwaidan poster
7.7

Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.

Kwaidan

1965

The Flavor of Green Tea Over Rice poster
7.5

The arranged marriage between a capricious woman from Tokyo high society and a quiet rustic man is tested by a marital crisis.

The Flavor of Green Tea Over Rice

1952

The End of Summer poster
7.5

The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.

The End of Summer

1961

The Ballad of Narayama poster
7.5

In a remote village where food is scarce, elders who reach the age of 70 are carried by their children to the top of a nearby mountain to die in solitude. Orin, a vibrant 69-year-old grandmother, has accepted her fate — but struggles to prepare the rest of her family for the ritual.

The Ballad of Narayama

1958

Hanayome hanamuko chanbara bushi poster
NR

No synopsis available yet.

Hanayome hanamuko chanbara bushi

1952

Late Chrysanthemums poster
7.2

What is the life of a Geisha like once her beauty has faded and she has retired? Kin has saved, and become a wealthy money-lender, spending her days coldly collecting debts. Even her best friends, fellow Geisha Tomi, Nobu, and Tamae, are now indebted to her. For all of them, the glamour of their young lives has passed; Tomi and Tamae have disappointing children. Kin has two former lovers who still pursue her; one she wants to see, and the other she doesn't. But even the one she remembers fondly, when he shows up, proves less than satisfactory.

Late Chrysanthemums

1954

The Song of the Cart poster
6.9

A lifetime story of a woman who stubbornly lives in a poor mountain village in post-war Japan.

The Song of the Cart

1959

Beauty and the Thief poster
9.0

The picture belongs to the jidai gekki (historic) genre. It is a powerful story of violence and eroticism, picturing a world at once sordid and poetic, with two central themes which intermingle to compound an admirable panel of a critical period in Japanese history: the great famine in the mid 19th Century.

Beauty and the Thief

1952

The Will to Live poster
10.0

No synopsis available yet.

The Will to Live

1967

The Thick-Walled Room poster
7.2

A group of rank-and-file soldiers are jailed for crimes against humanity, themselves victims of a nation refusing to bear its burdens as a whole.

The Thick-Walled Room

1956

Modern People poster
4.0

A section chief at the Bureau of Construction is in a shady relationship with a construction company. Then a new, young and honest subordinate is assigned to work under the section chief. Once he learns about the shady relationship, however, the new subordinate skillfully conceals the corruption and joins the corrupt, shady relationship.

Modern People

1952

Farewell to Summer poster
NR

No synopsis available yet.

Farewell to Summer

1958

A Japanese Tragedy poster
5.8

At the close of the war in Japan, a widowed mother makes every possible sacrifice to bring up her ungrateful son and daughter who are unimpressed with their poor standard of living at home. They gradually reject her in search of the material comforts that working as a maid cannot provide. The mother's despair becomes interminable.

A Japanese Tragedy

1953

No artwork available
7.5

Based on the novel by Kojin Shimomura. Story of a young boy and his adventures in the country. His idyllic life is shattered by the illness and death of his mother.

The Tale of Jiro

1955

Doctor's Day Off poster
6.8

Having completed the first year at his new medical practice, a doctor plans to relax on his day off. However, it is not to be: on this hectic day a man just back from the war front visits the doctor with a medical emergency, followed by a woman who claims to have been molested. Then a yakuza arrives to ask the doctor to cut his finger off...

Doctor's Day Off

1952

Red Lion poster
6.5

Japan, February 1868. As the Tokugawa shogunate declines and the power of Emperor Meiji grows, Gonzo, a soldier of the Restoration Army, returns to Sawando, his hometown, to announce the end of tyranny.

Red Lion

1969

Carmen Comes Home poster
6.2

A rural village elder plans an event on the return of a farmer's daughter from the city, unaware that she has become a Westernized burlesque artist.

Carmen Comes Home

1951

Street of Love and Hope poster
6.7

The lives of a teenager, his impoverished family, a wealthy young woman who buys a pigeon from him, and his caring teacher converge and consequently become more complicated.

Street of Love and Hope

1959

Always in My Heart Part 2 poster
6.5

Machiko and Haruki’s drama continues. Two meet again in Hokkaido only to be separated again.

Always in My Heart Part 2

1953

The Garden of Women poster
6.6

A student at a woman's university takes a controversial action against the school's old-fashioned doctrines.

The Garden of Women

1954

Always in My Heart Part 3 poster
7.0

Machiko and Haruki’s drama continues. Machiko is not allowed to see Haruki. They finally meet again, but Haruki departs to Europe.

Always in My Heart Part 3

1954

The White Orchid poster
NR

A Japanese adaptation of Guy de Maupassant's short story Boule de Suif, directed by Kimura Keigo

The White Orchid

1951

Always in My Heart poster
6.8

Machiko Ujiie and Haruki Atomiya first meet and fall in love on Ginza’s Sukiyabashi Bridge during the Great Tokyo Air Raid in March 1945. Machiko and Haruki pledge to meet again at the bridge in six months but part without asking each other’s names.

Always in My Heart

1953

Salaryman Mejiro Sanpei poster
NR

A masterpiece of life sketches overflowing with heartwarming affection and laughter that portrays the modern common people with humor and pathos, focusing on the daily life of Sanpei Mejiro, a salaryman for over twenty years who finds a little happiness in life in his poor but joyful home.

Salaryman Mejiro Sanpei

1955

Behind the camera