Michele Mally

1918. As the roar of the First World War cannons is dying out, in Vienna, the heart of Central Europe, a golden age comes to an end. The Austro-Hungarian Empire is beginning to disintegrate. On the night of October 31st, in the bed of his home, Egon Schiele dies, one of the 20 million deaths caused by the Spanish flu. He dies looking at the invisible evil in the face, in the only he can do: painting it. He is 28 years old. Only a few months earlier, the main hall of the Secession building had welcomed his works: 19 oil paintings and 29 drawings. His first successful exhibition, a celebration of a new painting idea that portrays the restlessness and desires of mankind.A few months earlier, his teacher and friend Gustav Klimt had died. From the turn of the century, he had fundamentally changed the feeling of art and founded a new group: the Secession.

There is no painter in the world both more famous and less known than Edvard Munch. The debt contemporary culture has towards Munch is impressive, from Andy Warhol to Ingmar Bergman, from Marina Abramovich to Jasper Johns. If his painting has become a symbol and at the same time an omen of the tragedies of the twentieth century, his art has travelled new and experimental roads of extraordinary modernity. Today, however, it is his city, Oslo, which sets a turning point for the knowledge of Munch: the birth of a new museum opened in Fall 2021. The documentary will start from there to shed light on a man and an artist with singular charm, a precursor and a master.

On the fiftieth anniversary of Milan's Franco Parenti Theatre, co-founder Andrée Ruth Shammah leads a journey through its history, memories and enduring creative spirit. Through archival footage, fragments of landmark productions and the voices of actors, directors and artists who have inhabited its stage, the film retraces five decades of theatre, friendship and artistic experimentation, bringing together the “scarrozzanti” of the present and the “spiritelli” whose presence still seems to live within the theatre's walls.

No synopsis available yet.

Kha, architect and builder of tombs for the pharaohs, must undertake the journey to the Underworld. Telling us the story of his voyage is Jeremy Irons, in the guise of a narrator. His words take us inside the secret world of Egyptian mythology, religion and funerary culture, interweaving the story with the history of the oldest museum in the world, the Museo Egizio in Turin, founded in 1824 and will soon be celebrating its 200th anniversary. In fact, the Kha’s own Tomb is to be found in Turin along with the most complete and most valuable private collection of grave goods outside of Egypt.

1600 years after its legendary foundation, Venice continues to be unique: the urban environment, made of stone, earth, and water, and for its legendary history. But, above all, Venice is unique for its identity as a city of oxymorons, holding together opposing DNA in a formidable contradiction: the allure of decadence, and the frenzy of the avant-garde. VENEZIA-INFINITA AVANGUARDIA is a labyrinth of stories, works of art, palaces, celebrities of social and cultural life, places, extravagances, and traditions. It's a sensory experience made of lights, water, and music. Beside connections and suggestions, testaments flow by of art historians, urbanists, sociologists, philosophers, curators, musicians, writers, journalists, artists, and our contemporaries.

1918. As the roar of the First World War cannons is dying out, in Vienna, the heart of Central Europe, a golden age comes to an end. The Austro-Hungarian Empire is beginning to disintegrate. On the night of October 31st, in the bed of his home, Egon Schiele dies, one of the 20 million deaths caused by the Spanish flu. He dies looking at the invisible evil in the face, in the only he can do: painting it. He is 28 years old. Only a few months earlier, the main hall of the Secession building had welcomed his works: 19 oil paintings and 29 drawings. His first successful exhibition, a celebration of a new painting idea that portrays the restlessness and desires of mankind.A few months earlier, his teacher and friend Gustav Klimt had died. From the turn of the century, he had fundamentally changed the feeling of art and founded a new group: the Secession.

There is no painter in the world both more famous and less known than Edvard Munch. The debt contemporary culture has towards Munch is impressive, from Andy Warhol to Ingmar Bergman, from Marina Abramovich to Jasper Johns. If his painting has become a symbol and at the same time an omen of the tragedies of the twentieth century, his art has travelled new and experimental roads of extraordinary modernity. Today, however, it is his city, Oslo, which sets a turning point for the knowledge of Munch: the birth of a new museum opened in Fall 2021. The documentary will start from there to shed light on a man and an artist with singular charm, a precursor and a master.

On the fiftieth anniversary of Milan's Franco Parenti Theatre, co-founder Andrée Ruth Shammah leads a journey through its history, memories and enduring creative spirit. Through archival footage, fragments of landmark productions and the voices of actors, directors and artists who have inhabited its stage, the film retraces five decades of theatre, friendship and artistic experimentation, bringing together the “scarrozzanti” of the present and the “spiritelli” whose presence still seems to live within the theatre's walls.

No synopsis available yet.

Kha, architect and builder of tombs for the pharaohs, must undertake the journey to the Underworld. Telling us the story of his voyage is Jeremy Irons, in the guise of a narrator. His words take us inside the secret world of Egyptian mythology, religion and funerary culture, interweaving the story with the history of the oldest museum in the world, the Museo Egizio in Turin, founded in 1824 and will soon be celebrating its 200th anniversary. In fact, the Kha’s own Tomb is to be found in Turin along with the most complete and most valuable private collection of grave goods outside of Egypt.

1600 years after its legendary foundation, Venice continues to be unique: the urban environment, made of stone, earth, and water, and for its legendary history. But, above all, Venice is unique for its identity as a city of oxymorons, holding together opposing DNA in a formidable contradiction: the allure of decadence, and the frenzy of the avant-garde. VENEZIA-INFINITA AVANGUARDIA is a labyrinth of stories, works of art, palaces, celebrities of social and cultural life, places, extravagances, and traditions. It's a sensory experience made of lights, water, and music. Beside connections and suggestions, testaments flow by of art historians, urbanists, sociologists, philosophers, curators, musicians, writers, journalists, artists, and our contemporaries.

No synopsis available yet.

No synopsis available yet.

Eduardo de Filippo narrated for the first time by his family. Through unreleased photos, videos, letters and stories of his grandchildren we discover the real Eduardo.

No synopsis available yet.

This documentary explores the phenomenon behind Chi come me, a hit theatrical production directed by Andrée Ruth Shammah and written by Roy Chen. Following its final sold-out run at Milan's Teatro Franco Parenti, the film examines how a powerful story about five fragile teenagers in a mental health center finding their voice through theater transformed into an intergenerational cult experience and a profound mirror of contemporary adolescent struggles.