Pegah Ahangarani

Commissioned to mark the 60th anniversary of the Cannes Film Festival, "To Each His Own Cinema" brought together 33 of the world's pre-eminent filmmakers to produce short pieces exploring the multifarious facets of cinema and their perspective on the state of their chosen artform in the early 21st century.

Manijeh Hekmat's music-infused twist on a road movie follows a band's day-long journey across a flooded landscape to Tehran.

An invitation for a famous Iranian bandmaster, Maxx, living in a foreign country, is accidentally sent to a young cabaret singer with the same name.

On their way back from a wild party, Arine and Nobahar cause a car accident. A mysterious stranger by the name of Toofan offers to cover the costs. This won't be the last time they'll cross his path over the course of the night.

The story of this film is about the life of Dr. Jalal Soroush.

Revenge may have irreversible consequences.

Happiness in a relationship is completely a matter of chance; Maybe making others fear us and forcing them to stay with us is more reliable than loving us.

A road trip takes many unexpected turns.

Documentary by Rakhshan Bani-Etemad, an Iranian female director. This film portrays two aspects of the Iranian presidential election of 2001.

A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.

This documentary examines the professional and artistic life of Rasoul Sadrameli, a prominent Iranian film director, from the pre-revolutionary era to the present day. One of the main parts of the film is a heartfelt conversation between Rasoul Sadrameli and the late Kiyomars Pourahmad, in which they talk about their cinematic works and their long-standing friendship.

The film tells the story of three young people, each of whom sets out from Bandar Abbas to Tehran to achieve a goal.

This fascinating moral thriller is centered on the bristling relationship between two very different young women in contemporary Tehran. Nazanin (Nazanin Bayati) is a determined first year medical student. Since there is no free space in the university dorm and Nazanin does not have much money, she is obliged to share an apartment with Sahar (Pegah Ahangarani), a party lover who works in a fragrance shop. Sahar badly wants to migrate from Iran, so she’s borrowed money from a man in the bazaar. When this man makes an opportunistic complaint against Sahar, she is imprisoned. There have been some very some rocky times between the two roommates and their conflicting lifestyles, but Nazanin will now do everything she can to have her friend released.

Based on an ancient story Sang-e Sabor it's the story of a girl Nardaneh who one day hears a voice telling her that soon she will marry with a dead man. One day she enters a castle and in one of it's room finds a dead body with a book beside it. She begins to read the book and follows the instructions step by step.

Nearly three years have passed since the "Woman, Life, Freedom" protests in Iran. Many who took part in the 2022 (1401) demonstrations paid a heavy price: some were killed, many were permanently injured, others were sentenced to long prison terms, and many lost their jobs. Among the well-known figures who supported the protests was Taraneh Alidoosti, one of Iran’s most prominent film actresses. After she posted an unveiled photo of herself and later protested the execution of Mohsen Shekari, she was imprisoned. Following her release, she became ill and remained out of the public eye for some time. Alidoosti has also been banned from acting in cinema. For the first time, in the documentary Taraneh, produced by Pegah Ahangarani, Alidoosti speaks about her decision to join the protest movement after the killing of Mahsa Amini. She talks about the day she was arrested at home in front of her little daughter and about the loss of her skin due to an autoimmune disease.

Tomorrow is Samira's wedding ceremony and Bahar and Parisa are shopping excitedly. But at night somebody calls and tells them that the bride is dead and the wedding has been called off. They are both shocked and they cannot believe what they have heard, so they go straight to their friend's fiancé, Mansoor, to find out about the cause of her suspicious death.

Omid happily celebrates his birthday with his wife and her family at a beautiful villa near the Caspian Sea. A phone call from Omid's ex-wife puts the festivities on hold as she drops a bombshell that threatens to unravel the new life he is trying to lead. Written by Iranian playwright Mohammad Yaghoubi, this insightful drama tackles marital and social issues with sharp dialogue and knowing humour.

Spanning 18 years in an Iranian women's prison, this follows two women: the new prison warden, a tough as nails devout Muslim who has served in the army on the Iraqi front, and a young midwife, Mitra, who is serving her sentence for killing her mother's abusive husband. In the early years, Mitra is repeatedly punished as the warden tries to break her. This includes punishment for delivering a baby in the prison cell while all of the prison staff has taken shelter during an Iraqi bombing. The warden's attitude starts to change after 8 years, when Mitra tries to protect a new inmate from rape at the hands of her older cellmates. When the baby comes back in 1991 as a 17 year old delinquent, Sepideh, the warden respects Mitra enough to protect the girl.

In order to prepare her best and brightest for the upcoming chemistry Olympiad, strict, conservative headmistress Ms. Darabi is forced to break her lifelong rule of not allowing male teachers in the school and reluctantly hires the bumbling Mr. Jebeli. Little does she know though that several of her students, led by the self-assured Paria, have a plan to get her to fall in love with him. 'No Men Allowed' is a hilarious, rollicking romcom, chock-full of witty dialogue and zany antics that will have you coming back time and time again!

When Yasmin was six years old, as her son is now, the family immigrated to Berlin. Now the heroine is forced to return to Iran because of the death of her father. the son suffers from autism, and this greatly complicates the trip. Arriving in Iran, Yasmin, who hardly knew her father, is surprised to discover that he left her all the inheritance. a short and unwanted stay in her father's hometown and meetings with those who knew him make her rethink concepts such as life, death and human nature.

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.

The depressed Shirin wanders around at her father's funeral. Unexpectedly, she sees a man very much like her father. Regardless of her uncle's objection, Shirin is enchanted by the idea of finding out that man. Reluctantly, her uncle acknowledges that the man is her father's illegitimate child. Looking at gloomy daughter, Shirin's mother tells her about some past events, especially about an unexpected truth that Shirin is her father's adopted daughter. It seems to be clear that Shirin and that man have no blood bond. But her father's mistress tells a different story.

Sarah and Ayda are two close friends, one of whom was notorious and now they must work together to bring their conditions to normal, but they stand to where for their friendship?

After Islamic Revolution in Iran, many iranians left Iran .now some of them returns to their motherland. 2. A German scientist investigated whether turtles which left Iranian beaches returns to their motherland after thirty years or not.

This documentary follows the life of the director and how she's been impacted by the loss of loved ones to dictatorial orders in Iran. Each of the five 15-20 minute chapters focuses on a different person who influenced the director's life and whose story highlights a specific period in Iran's history. The film covers the past 40 years of Iran's history and uses archival footage to recreate the atmosphere of that time. The main theme of the documentary is separation and loss, as the director mourns the loss of each of the beloved heroes featured in the episodes. The film is a sequel to the director's previous successful short film "I Am Trying to Remember".

This documentary follows the life of the director and how she's been impacted by the loss of loved ones to dictatorial orders in Iran. Each of the five 15-20 minute chapters focuses on a different person who influenced the director's life and whose story highlights a specific period in Iran's history. The film covers the past 40 years of Iran's history and uses archival footage to recreate the atmosphere of that time. The main theme of the documentary is separation and loss, as the director mourns the loss of each of the beloved heroes featured in the episodes. The film is a sequel to the director's previous successful short film "I Am Trying to Remember".

No synopsis available yet.

Through five portraits of relatives and mentors, five expressions of resistance, Pegah Ahangarani sketches her life story. Drawing from personal archives, home videos, street protests footage, newspapers, and recorded voices, she retraces more than 40 years of Iran’s history. From the early days of 1979, until the war that began in 2026, she pieces together intimate and collective memories, forming the portrait of a country shaped by political repression and in constant hope for a revolution.

Through five portraits of relatives and mentors, five expressions of resistance, Pegah Ahangarani sketches her life story. Drawing from personal archives, home videos, street protests footage, newspapers, and recorded voices, she retraces more than 40 years of Iran’s history. From the early days of 1979, until the war that began in 2026, she pieces together intimate and collective memories, forming the portrait of a country shaped by political repression and in constant hope for a revolution.

Nearly three years have passed since the "Woman, Life, Freedom" protests in Iran. Many who took part in the 2022 (1401) demonstrations paid a heavy price: some were killed, many were permanently injured, others were sentenced to long prison terms, and many lost their jobs. Among the well-known figures who supported the protests was Taraneh Alidoosti, one of Iran’s most prominent film actresses. After she posted an unveiled photo of herself and later protested the execution of Mohsen Shekari, she was imprisoned. Following her release, she became ill and remained out of the public eye for some time. Alidoosti has also been banned from acting in cinema. For the first time, in the documentary Taraneh, produced by Pegah Ahangarani, Alidoosti speaks about her decision to join the protest movement after the killing of Mahsa Amini. She talks about the day she was arrested at home in front of her little daughter and about the loss of her skin due to an autoimmune disease.

Nearly three years have passed since the "Woman, Life, Freedom" protests in Iran. Many who took part in the 2022 (1401) demonstrations paid a heavy price: some were killed, many were permanently injured, others were sentenced to long prison terms, and many lost their jobs. Among the well-known figures who supported the protests was Taraneh Alidoosti, one of Iran’s most prominent film actresses. After she posted an unveiled photo of herself and later protested the execution of Mohsen Shekari, she was imprisoned. Following her release, she became ill and remained out of the public eye for some time. Alidoosti has also been banned from acting in cinema. For the first time, in the documentary Taraneh, produced by Pegah Ahangarani, Alidoosti speaks about her decision to join the protest movement after the killing of Mahsa Amini. She talks about the day she was arrested at home in front of her little daughter and about the loss of her skin due to an autoimmune disease.

A documentary based on Faraj Sarkohi's interviews with Houshang Golshiri. Kaveh Golestan filmed these interviews between 1993 and 1996.

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.

Pegah talks about Gholam, a man who’s not like her father, mother, uncles, or aunts, even though he’s always present at family gatherings. Gholam films these everyday scenes with his own camera. At the time, Pegah can’t imagine what the purpose of these films might be, but she’s happy to pose before the lens of this family friend, who she’s certainly very fond of.

Pegah Ahangarani sets out on a one woman manhunt for Masoud Dehnamaki.

Child soldier is about the unheard story of child soldiers of the Iran-Iraq war, a documentary that has interviewed the child soldiers of this war among unseen images of the Iran-Iraq war. For the first time in four decades, they recount memories that they have never shared with their families before.

Child soldier is about the unheard story of child soldiers of the Iran-Iraq war, a documentary that has interviewed the child soldiers of this war among unseen images of the Iran-Iraq war. For the first time in four decades, they recount memories that they have never shared with their families before.

When Iranian actress and director Pegah Ahangarani (1984) was growing up, she thought every soldier she saw on television might have been her father. During her earliest years he was fighting at the front, and a portrait of Khomeini hung in a prominent place in the house. But one day the image of the Ayatollah disappeared without explanation and another photo took its place.

When Iranian actress and director Pegah Ahangarani (1984) was growing up, she thought every soldier she saw on television might have been her father. During her earliest years he was fighting at the front, and a portrait of Khomeini hung in a prominent place in the house. But one day the image of the Ayatollah disappeared without explanation and another photo took its place.

A documentary about Ghazaleh Alizadeh who was an Iranian poet and writer.

We see footage of the Green Movement, a wave of protests in Iran that began in the summer of 2009, in response to the presidential election fraud in favor of the incumbent president Mahmoud Ahmadinejad. We see the chaos, the solidarity among the people, and the amazement too: that this is possible, that this is actually happening. Shaky handheld images capture both the energy of the crowd and the panic when shots suddenly ring out. Meanwhile, a voice-over calmly recounts what happened to the people we see.