Rejane Maya

In a dystopian future, the Brazilian government decrees a measure that forces black citizens to migrate to Africa in an attempt to return to their origins. Seeing themselves in the center of terror, two cousins take refuge in an apartment, where they debate social and racial issues, and share the same yearning for the change of country.

The documentary investigates the first steps of artistic resistance by the black actresses from Bahia of the Bando de Teatro Olodum group, which emerged in the 90's, and redefines, through documentary and fictional procedures, the contrast between official discourses and oral discourses from the perspective of these women.

In Salvador (Brazil), every year there is a great and traditional party for Senhor do Bonfim, where the faithful, tourists and revelers, wander to the famous church to tie ribbons and make requests. Two brothers, Pedro and Gabriel, listen to their grandmother's stories and prayers to Senhor do Bonfim from an early age and decide to flee on the day of the wash, to venture out among the crowd, to try to ask for a football, since they grew up without one. father figure. There they confront their grandmother's narratives, with the current wash, bringing questions about religiosity, syncretism, popular manifestation, and the importance of the family.

Experience Roque's routine years after the first movie. Joana's tenement is still full of parties, gossip and confusion. The neighborhood prepares for the Iemanjá party, while dealing with the controversies of the neighbors.

The new year brings hope for better times. The wishes of hope, respect, humanity and love between people are for whom?

The 28-year history of the Olodum Theater Band, Latin America's longest-running black theater company. Created in Salvador in 1990, in partnership with the Olodum Cultural Group, the company was responsible for launching names such as Lázaro Ramos and Érico Brás. Gathering archive images and interviews with Bando members, collaborators and other guests, the group's trajectory is built.

Friends of the recently deceased Quincas take their pal's body on one last tour of his favorite spots in Brazil's Bahia.

A retired army sergeant, a police officer and his wife and a drug dealer apparently have nothing in common, but they will unite for a greater good. When people start using explosives to fish on the edge of Salvador, Bahia, this group will do everything to end this environmental crime. But in the search for the paths that seem most correct, each one of them will go through more personal and moral conflicts.

During Carnival at the historic site of Pelourinho, we follow the lives of tenants in a run-down rental house who try to survive using creativity, irony, humor and music. This is an adaptation of the TV show, not the 2007 movie which inspired the TV show.

Based on the life of a legendary capoeira fighter from Bahia, "Besouro" spins a fantastic tale of a young Brazilian man of African descent in search of his mission.

During the Carnival in the historical site of Pelourinho, Salvador da Bahia, we follow the lives of the tenants of a falling-to-pieces tenement house who try to get by using creativity, irony, humor, and music.

Henry Czerny plays American journalist Michael Coleman, a strung-out expatriate writing for a Brazilian newspaper. His professional obsession is Father Stephen Louis, a mildly popular and charismatic priest who has been the major political opponent of the greedy and ruthless landowners of the Bahia region. Mysteriously, the usually outspoken Father Louis has been silent for three months. With the Brazilian Congress about to vote on a major land-redistribution bill that could potentially tip the balance of power even further, Father Louis’s support of the peasants and his condemnation of the landowners is more important than ever. Coleman sets out alone for the politically unstable Bahia region to capture a highly anticipated interview with the elusive priest.