Wiktor Loga-Skarczewski

Detective Mandżaro and his Warsaw crime unit deduce the hidden design linking apparently unrelated crimes, and a city-wide conspiracy is exposed.

Jacek is a foodie, gay and Warsaw bon vivant who has his own TV show, several similarly eccentric close ones around him and self-destructive tendencies. A dramedy that makes fun of the Polish artistic elite, for whom Warsaw is “the only real Polish city”, cannot be compared to other shows. It is the authorial work of playwright and screenwriter Pawel Demirski. He wrote it from the beginning with the intention of presenting a hero contrasting with the burnout syndrome often felt today - a vital madman who believes the best is yet to come.

Michalina Wislocka, the most famous and recognized sexologist of communist Poland, fights for the right to publish her book, which will change the sex life of Polish people forever.

One morning, the protagonist is woken up (or is it still part of his dream?) by mysterious figures who accuse him of not taking part in the competition going on in the world, of living ‘too slowly’, of being a grey ‘everyman’ – a nobody.

A single mother of two daughters has to meet her ex-husband due to an illness of one of them. The family’s tragedy touches all the members of the family, who feel the need of a reunion.

The film presents the last days of Gen. Sikorski, right before the Gibraltar catastrophe. The commander is accompanied by his daughter Zofia and a group of closest collaborators. They are all guests in the palace of the Governor of Gibraltar, Mason Macfarlane, who is supposed to persuade Sikorski to give back documents on the murder of Polish officers in Katyn. When Sikorski refuses, a plan of attempt on his life comes into action. Who stood behind it? Who executed it and how? Was Zofia on board of Liberator too?

Detective Mandżaro and his Warsaw crime unit deduce the hidden design linking apparently unrelated crimes, and a city-wide conspiracy is exposed.

Jacek is a foodie, gay and Warsaw bon vivant who has his own TV show, several similarly eccentric close ones around him and self-destructive tendencies. A dramedy that makes fun of the Polish artistic elite, for whom Warsaw is “the only real Polish city”, cannot be compared to other shows. It is the authorial work of playwright and screenwriter Pawel Demirski. He wrote it from the beginning with the intention of presenting a hero contrasting with the burnout syndrome often felt today - a vital madman who believes the best is yet to come.