Theo Alexander

THE MAN WHO WAS THURSDAY is inspired by the existentialist novel of the same name by G.K. Chesterton (1908). The novel is considered a metaphysical thriller, and our film could be considered the same, though it also can be thought of in more classical cinematic terms a psychological and supernatural thriller.

A self-centered, middle-aged pitchman for a potato chip company loses his job and his livelihood just as his octogenarian grandfather is dropped on his doorstep unexpectedly by his mother on her way to a singles cruise.

In a monastery set on the top of sandstone pillars young monk Theodoros and nun Urania find themselves physically drawn to one and other after devoting their lives to the strict rituals and practises of the monasteries. Below them the eternal cycle of farm-life provides a strong contrast to their lives and they are forced to choose between human desire and spiritual devotion

A smart and original, quirky comedy about a female scientist who wants proof that her boyfriend is "the one."

When Jonny visits his father Nikitas in his cabin in the woods after 20 years, the hermit ignores him. But to prevent the muddy ground from being pulled out from under their feet for reasons of profit, father and son must dig deep into it...

In a monastery set on the top of sandstone pillars young monk Theodoros and nun Urania find themselves physically drawn to one and other after devoting their lives to the strict rituals and practises of the monasteries. Below them the eternal cycle of farm-life provides a strong contrast to their lives and they are forced to choose between human desire and spiritual devotion