Savaş Özdemir

Acting

Savaş Özdemir

Born 1970-05-08 · İstanbul, Türkiye

Acting credits

Kanımdaki Barut poster
4.0

No synopsis available yet.

Kanımdaki Barut

2009

Jack Hunter and the Lost Treasure of Ugarit poster
6.4

Jack Hunter, an adventurous treasure seeker, goes to Syria after his mentor and father figure Professor Fredrick Shaffer is killed. Professor Frederick Shaffer believed that the people of Ugarit, a town in Syria that existed during the Pharoah’s reign, had buried a treasure before they were wiped out by the Pharoahs. Jack Hunter is one of the few archaeologists in the world who can interpret Ugarit writings

Jack Hunter and the Lost Treasure of Ugarit

2010

Jack Hunter and the Quest for Akhenaten's Tomb poster
6.2

Adventurer Jack Hunter sets off in pursuit of a legendary tomb, meeting dangerous old adversaries, and even more dangerous old flames, along the way.

Jack Hunter and the Quest for Akhenaten's Tomb

2008

The Elevator poster
6.0

The images reflected on the screen come from a camera that Namik is carrying, a camera that is forgotten. The young man running in a hospital corridor is looking for his wife Nurcan, a nurse. He finds her and takes the trigger of his gun. Then he decides on his own life and all this is recorded in the camera.

The Elevator

1999

Keep a Lid on It poster
4.9

Chaos erupts when members of two notorious Istanbul mobs arrive at a seaside town for family vacations.

Keep a Lid on It

2019

Gittiler 'Sair ve Mechul' poster
NR

Film from Kenan Korkmaz

Gittiler 'Sair ve Mechul'

2015

Lüks Otel poster
2.0

Luxury Hotel brings together four stories of hopelessness in the same hotel. Mehdi, who left behind a terrorist organization to pursue a new life; an Afghan family fleeing the Taliban; a young gay couple hoping to live their lives as they wish in the Istanbul of their dreams; and a young girl trapped in drug addiction. What begins as a stop filled with hope for them, this "Luxury Hotel," eventually becomes a limbo where they are trapped. No matter how much they flee, they may never truly escape their otherness. Yet they remain silent; we rarely hear them speak or react. There is a weariness over them, but it is clear they are screaming for help. Still, to hear their voices, perhaps we first need foresight.

Lüks Otel

2011