Renato Coelho

No synopsis available yet.

No synopsis available yet.

Maya is accompanied by Glória, her best friend, who promises that she will always be with her, into a clandestine appointment. Both trans women, Maya wants silicone, but a timely intervention leads her to change her mind. When they leave, it’s Christmas night and it’s pouring rain. They take refuge in a bar, owned by a Nigerian refugee named Kakule. Bia also takes refuge there, fed up with constant fights with her boyfriend. And so their paths cross.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Maya is accompanied by Glória, her best friend, who promises that she will always be with her, into a clandestine appointment. Both trans women, Maya wants silicone, but a timely intervention leads her to change her mind. When they leave, it’s Christmas night and it’s pouring rain. They take refuge in a bar, owned by a Nigerian refugee named Kakule. Bia also takes refuge there, fed up with constant fights with her boyfriend. And so their paths cross.

Maya is accompanied by Glória, her best friend, who promises that she will always be with her, into a clandestine appointment. Both trans women, Maya wants silicone, but a timely intervention leads her to change her mind. When they leave, it’s Christmas night and it’s pouring rain. They take refuge in a bar, owned by a Nigerian refugee named Kakule. Bia also takes refuge there, fed up with constant fights with her boyfriend. And so their paths cross.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

São Paulo, July 1917. During the lead-up to the city’s first major labor strike, workers protesting outside a factory in the Brás neighborhood are attacked by the police, resulting in the death of a young Spanish shoemaker named José Martinez. The film depicts Martinez’s funeral—which takes place on a desolate working-class street—in a dreamlike, oneiric fashion. At some point during the funeral procession, Martinez’s specter awakens and wanders through the ruins of old workers' housing, eventually arriving—by way of a rift in time—in the year 2017.

São Paulo, July 1917. During the lead-up to the city’s first major labor strike, workers protesting outside a factory in the Brás neighborhood are attacked by the police, resulting in the death of a young Spanish shoemaker named José Martinez. The film depicts Martinez’s funeral—which takes place on a desolate working-class street—in a dreamlike, oneiric fashion. At some point during the funeral procession, Martinez’s specter awakens and wanders through the ruins of old workers' housing, eventually arriving—by way of a rift in time—in the year 2017.

Short Poetic Essay aboout Brazilian Filmmaker Luiz Rosemberg Filho

No synopsis available yet.

Verónica Valenttino emerges from the darkness of São Paulo’s night as a transgressive and sensual subversion. In this short film, the face of the São Paulo based singer-songwriter and trans actress, is accompanied by the melodies of a melancholic piano with deep intensities (composed by Arrigo Barnabé) and, in the bottom of the frame, some flashes of light from the city. In a high-contrast chiaroscuro, the main focus is on the face, the gesture; we see Veronica smoking while taking a break on a tremendously black night. A city break, an intimate moment, a languid rhythm that leads us to contemplate it as a calm beast, as tenaciously nocturnal. In just over two minutes we find a profile, the footprint of a city, a decision and a look. In this film, Priscyla Bettim & Renato Coelho share a unique way of portraying, in the manner of Andy Warhol's screen tests, to capture another modality of glamour and subversion, with the final gesture of Verónica imperious, diva, full of vital force.

In this short, Willer’s poetic images and his voice dress the streets, the skies, the avenues. Here is Willer, the great poet and living legend of the sixties generation, in front of the camera, letting us into his universe, which Priscyla Bettim & Renato Coelho approach as a poetic encounter, in which experimental cinema becomes a powerful catalyst for his poetry. From an erotic and personal approach, the filmmakers give substance to what Willer states...or perhaps it’s the reverse: it is the images that coexist freely with the sound field of words and music.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.