Ciro Giorgini

Having met him in 1993 when he was invited by Enrico Ghezzi to Taormina, Ciro Giorgini and Fabio Troncarelli film this interview with Robert Parrish, a living legend. Parrish, as he recounts in his autobiography "Growing up in Hollywood", has spanned seven decades of American cinema

A meeting with Francis Ford Coppola in Rome, on the occasion of the Italian release of Dracula, which remained unreleased until 2021.

Footage of Mount Etna erupting, filmed continuously over the years by Rai cameraman Giovanni Tomarchio, superimposed on the original images by the Lumière brothers.

Inspired by the "The wind of cinema" festival which every year deals with issues relating to the relationship between cinema and philosophy, it shows a conversation between the critic Enrico Ghezzi and some directors including Werner Herzog, Amos Gitai, and the philosopher Boris Groys. The theme addressed is the "Catastrophe".

No synopsis available yet.

The film recalls Orson Welles’ Italian period. “Rosabella” is the translation, proposed by the first Italian adaptation, of “Rosebud,” the object at the center of the story of Charles Foster Kane, the main character of Citizen Kane (1941), Welles’ debut film.

Having met him in 1993 when he was invited by Enrico Ghezzi to Taormina, Ciro Giorgini and Fabio Troncarelli film this interview with Robert Parrish, a living legend. Parrish, as he recounts in his autobiography "Growing up in Hollywood", has spanned seven decades of American cinema

A meeting with Francis Ford Coppola in Rome, on the occasion of the Italian release of Dracula, which remained unreleased until 2021.

Footage of Mount Etna erupting, filmed continuously over the years by Rai cameraman Giovanni Tomarchio, superimposed on the original images by the Lumière brothers.

Inspired by the "The wind of cinema" festival which every year deals with issues relating to the relationship between cinema and philosophy, it shows a conversation between the critic Enrico Ghezzi and some directors including Werner Herzog, Amos Gitai, and the philosopher Boris Groys. The theme addressed is the "Catastrophe".

The film recalls Orson Welles’ Italian period. “Rosabella” is the translation, proposed by the first Italian adaptation, of “Rosebud,” the object at the center of the story of Charles Foster Kane, the main character of Citizen Kane (1941), Welles’ debut film.