
Directing
Marcelle Thirache
Place of birth
Ivry-sur-Seine, France
Known for
Directing
Credits
43 titles
Born in 1946, in Ivry-Sur-Seine. She begins with the practice of photography and exhibits her work as soon as 1978. First, her discovery of Marguerite Duras with the dissociation between sounds and images, and then the films of Germaine Dulac, foster a growing interest for cinema and finally lead her to choose the Super-8 in 1982. In 1987 she shows her films to yann beauvais and Miles McKane. In 1984, she develops a peculiar skill consisting in hand painting directly on a Super-8 filmstrip. To complete this cinematographic practice, she starts classical painting in 1999.
Known for
Initial situation: models were invited to participate in their portrait by the contribution of personal objects and a great freedom of expression before the camera. This initial situation was conceived by Catherine Rebois. Graffon: I propose to film in a fragmented way these sessions of pose. Participants agree to be filmed at the same time they are photographed. Deliberately sharpened shift between an initial situation in its own duration and its filmic recording. The sequence of photographic shooting sessions is shattered.
Portraiture
1993
NRCinexpérimentaux is a series of documentaries on experimental filmmakers, produced and directed by Michel Amarger and Frédérique Devaux. N°8 is dedicated to the most important European cooperative Light Cone created in 1982 in Paris.
Cinexpérimentaux #8: Cooperative Light Cone
2008
NRA nod to Germaine Dulac. I filmed brass discs with camera movements. The discs deform and create new shapes; sometimes they glimpse each other, overlapping to create abstract forms. The sound is computer-generated.
Disque 651
2000
NRNo synopsis available yet.
S......elle
1990
NRNo synopsis available yet.
Sans titres
1995
NRCamera movements on “tamaris”, a plant that grows by the sea on the Ile de Ré, painting and Indian ink.
Tamaris
1999
Film credits
2000s · 2 titles
NRCinexpérimentaux is a series of documentaries on experimental filmmakers, produced and directed by Michel Amarger and Frédérique Devaux. N°8 is dedicated to the most important European cooperative Light Cone created in 1982 in Paris.
Cinexpérimentaux #8: Cooperative Light Cone
2008
No synopsis available yet.
Paroles d'artistes
2003
Behind the camera
NRA nod to Germaine Dulac. I filmed brass discs with camera movements. The discs deform and create new shapes; sometimes they glimpse each other, overlapping to create abstract forms. The sound is computer-generated.
Disque 651
2000
NRNo synopsis available yet.
S......elle
1990
NRNo synopsis available yet.
Sans titres
1995
NRCamera movements on “tamaris”, a plant that grows by the sea on the Ile de Ré, painting and Indian ink.
Tamaris
1999
NRNo synopsis available yet.
Aréna
1995
NRA travel film.
Hambourg
1990
NRNo synopsis available yet.
Fugue pour une bande magnétique (2)
2010
NRNo synopsis available yet.
Monodie parsemée
1988
NRCamera movements on a pine (“Songshù” in Chinese) at dusk when the light is so soft. Film with nuanced hues and Chinese painting graphics.
Songshu
1996
No synopsis available yet.
Morgane River
2010
Experimental, Super 8
Éclats
1990
NRNo synopsis available yet.
Juliette
1990
Film made entirely from slides. Images of bodies distorted by overlays, filters... leading to highly abstract shots... fantasies?... eroticism?...
S......ELLE
1990
NRGraphic film. Intersecting lines. An exploration of visibility, some sequences are barely perceptible, disappear, then reappear. Lines, ruptures, erasures... But a set of lines moving together can also create a ballet. A film to sit back and watch time pass... and time has its own rhythm... suspended time... seconds of eternity.
Chorégraphie
1990
NRNo synopsis available yet.
Impressions
1995
NRSuper 8mm / color / silent / 1S / 3' 00
Big Band
2001
NRNo synopsis available yet.
Vulva
1992
A short film by Marcelle Thirache
Lande
1991
Movements of the camera on shiny, white and colored paper, and Indian ink.
Médiation
1999
No synopsis available yet.
Fenice
2003
Film painted directly on the film strip.
Abstraction 2
1994
NRThe nature of form is to hide the object rather than define it, and the nature of light is to conceal substance rather than to delineate.
Cypris
1995
A film shot in London which I then painted on.
Big Ben
2011
NRThe filmed object is a magnetic tape placed on pieces of mirrors. The whole film is based on the camera movements that are played with light, on the meanders of the magnetic strip. Precise and wild film with very tight framing. Abstract film. Visual music or philosophical film?... Chaos or Plato's cave?...
Trois fantaisies tragiques
1992
NRNo synopsis available yet.
Abstraction 1
1999
NRNo synopsis available yet.
Air qui erre
1989
NRA short film by Marcelle Thirache
Clair de pluie
1986
NRNo synopsis available yet.
Gigue sur les rives
2010
NRNo synopsis available yet.
À la recherches des Amazones
1986
NRExperimental, Super 8
Notre-Dame de Boschaud
2004
NRFilm shot on the Isle of Ré where I spent my vacations as a child at my grandparents' house. I attempted to show everything that had moved me.
Ré La Belle
2011
NRA film by Marcelle Thirache
Étude pour arbre seul
1999
NRNo synopsis available yet.
Autour d'une exposition
1991
A plane tree filmed from my window on a day with blue sky, onto which I applied ink.
L’arbre bleu
2001
NRNo synopsis available yet.
Costa de Lavos
1991
NRNo synopsis available yet.
The Angel of Caroussel
1995
NRNo synopsis available yet.
Monet is Monet
1986
NRNo synopsis available yet.
L'île d'Emain
1990
NRStudy of the fragment, the word, the written word... some are in French, others in Greek, without translation. For those who do not understand Greek, magic of the unknown, word-drawing, form in itself. The beauty of the texts means that they do not need images. It is not an illustrative film, it is a film about the fragment that reveals itself... reappears... a film based on the superimposition of images... a film in perpetual motion, nothing stops... It is a film about the sensuality which emerges from the poems... images of a moving matter where fantasies can slip in. It is a film about the poetry of love, the violence of passions, the tears... Sappho tender and violent, philosopher and poet... Sappho who comes back to us, present, beyond the 2700 years that separate us.
Sappho : poèmes et fragments
1992
No synopsis available yet.
Encre 08/02/97
1997
