Kislay Kislay

Soni, a young policewoman in Delhi, and her superintendent, Kalpana, have collectively taken on a growing crisis of violent crimes against women. However, their alliance suffers a major setback when Soni is transferred out for alleged misconduct on duty.

Bishnu returns to her Himalayan village after quitting her job, only to face mounting family pressures and societal expectations. As tensions rise with her pregnant sister's arrival and a budding relationship with a "suitable" boy from her community, Bishnu must choose between conforming to tradition or claiming her independence.

A widow faces scorn from neighbors and family when she chooses an independent lifestyle.

Kamla works as a full time maid in Raj and Simran’s house. Simran is affectionate and regularly showers Kamla with gifts and old clothes. In this ‘modern’ home, there is no obvious violence and hierarchies but, as Kamla slowly realizes, it is hidden behind caring words and gestures of love. When Pihu, Kamla’s younger sister, arrives such underlying tensions come to the fore and Kamla is forced to take a decision. The film attempts to understand a class relationship in an atmosphere of love and affection. Here, the violence is not physical but structural, part of everyday actions and words.

Two villages squabble over who holds jurisdiction over the spot where a 15-year-old girl died. She is discovered at daybreak, hanging from a tree. Her body has not yet been cut down when the quarrel begins, as the tree is rooted in one village while the branch she hangs from stretches into the other. In death, she becomes a border dispute.

Soni, a young policewoman in Delhi, and her superintendent, Kalpana, have collectively taken on a growing crisis of violent crimes against women. However, their alliance suffers a major setback when Soni is transferred out for alleged misconduct on duty.

Bishnu returns to her Himalayan village after quitting her job, only to face mounting family pressures and societal expectations. As tensions rise with her pregnant sister's arrival and a budding relationship with a "suitable" boy from her community, Bishnu must choose between conforming to tradition or claiming her independence.

Bishnu returns to her Himalayan village after quitting her job, only to face mounting family pressures and societal expectations. As tensions rise with her pregnant sister's arrival and a budding relationship with a "suitable" boy from her community, Bishnu must choose between conforming to tradition or claiming her independence.

A widow faces scorn from neighbors and family when she chooses an independent lifestyle.

A widow faces scorn from neighbors and family when she chooses an independent lifestyle.

Kamla works as a full time maid in Raj and Simran’s house. Simran is affectionate and regularly showers Kamla with gifts and old clothes. In this ‘modern’ home, there is no obvious violence and hierarchies but, as Kamla slowly realizes, it is hidden behind caring words and gestures of love. When Pihu, Kamla’s younger sister, arrives such underlying tensions come to the fore and Kamla is forced to take a decision. The film attempts to understand a class relationship in an atmosphere of love and affection. Here, the violence is not physical but structural, part of everyday actions and words.

Two villages squabble over who holds jurisdiction over the spot where a 15-year-old girl died. She is discovered at daybreak, hanging from a tree. Her body has not yet been cut down when the quarrel begins, as the tree is rooted in one village while the branch she hangs from stretches into the other. In death, she becomes a border dispute.