Rosie Sheehy

Colin, a timid man, meets Ray, a confident biker gang leader, who initiates him into a submissive relationship, challenging Colin’s mundane existence and prompting personal growth through their unconventional dynamic.

A family is haunted by its part in an unjust war, the painful burden of inherited trauma and intergenerational conflict, and the descent into an increasingly merciless vortex of violence. Simon Stone's adaptation of The Oresteia trilogy of Aeschylus' Greek tragedies (consisting of Agamemnon, The Libation Bearers, and The Eumenides), shows us that as long as humankind wages wars and families tear themselves apart, this story will remain painfully, cathartically relevant. Stage play performed at The Bridge Theatre in London, UK.

The family home is more than merely a building. It can be a destination of pilgrimage, an inherited investment, a repository of memory or even magic. And, for brother and sister Stephen and Billie, home is all they have. Mucking along in their decaying farmhouse, they're doing just fine. That is, until the arrival of an ex-clergyman uncle with an unscrupulous plan, a sister-in-law seeking a miracle, and a prodigal brother hell-bent on trouble.

Low-born Helena is convinced that she and the high-born Bertram are meant to be. Bertram does not, so he runs off to fight in the Italian wars with his "#bff" Parolles, where he meets Diana. The lopsided love triangle all comes crashing down when the two women meet and devise a diabolical plan.

Young Richard of Gloucester uses the chaos of the Wars of the Roses to begin his unscrupulous climb to power in this classic Shakespearean history of a king in the throes of jealousy and murder. Despite being manifestly unfit to govern, he overcomes each obstacle in his way to seize the crown, as King Richard III. But as those around him turn against him, and as his plans begin to unravel, where else can he turn as the Lancastrian opposition returns to drag the country into battle once more and put an end to Richard’s tyrannical rule. Richard III is a savagely comic analysis of the exercise of power, reminding us of the dangers of tyranny and our duty not to let it go unchecked.

A mad world of mad kings, teetering on the brink of disaster Richard the Lionheart is dead. His brother John is King of England. Threatened from all sides by Europe, the English noblemen and even his own family, King John will stop at nothing to keep hold of his crown. Shakespeare’s rarely performed tale of a nation in turmoil vibrates with modern resonance in this vivid new production by Director Eleanor Rhode in her debut at the RSC.

A dark comedy about death anxiety that follows Mara as she grapples with the belief that she has killed everybody she's gotten close to.

June 2016. In their first ever European Championships, Wales march through to the semi-finals. For a girl gang in small-town South Wales, the line between patriotism and xenophobia becomes blurred.

Based on the Edith Wharton classic of the same name, Undine Spragg, a fiercely ambitious woman from the Midwest, strives for the social heights of turn of the century New York. Armed with beauty, daring/hustle and sheer force of will/unwavering ambition, Undine battles an entrenched elite, fearlessly courting controversy, until love and fortune align.