Kudzanai Chiurai

Exiled, yet internationally celebrated Zimbabwean artist Kudzanai Chiurai's demons come to life as he tries to flee South Africa following increasingly fractious experiences on the Johannesburg art scene. His greatest demon “Black Guilt” is one he can never shake off, this burden of having to speak for his people. But Is this responsibility really a burden at all, or is it actually a superpower? Either way, will Kudzi ever be President of His Own State of Being?

This film is the first in a trilogy by Zimbabwean artist Kudzanai Chiurai. Iyeza, Creation (2012), and Moyo (2013) consider and confront how Christianity has been used to support and expand European colonialism in Africa over the last three centuries. Iyeza uses Leonardo da Vinci’s iconic Last Supper as a compositional and historical framing device, replacing the disciples with contemporary African figures who move in hypnotic and almost painful slow-motion as a rhythmic soundtrack plays.

This film is the first in a trilogy by Zimbabwean artist Kudzanai Chiurai. Iyeza, Creation (2012), and Moyo (2013) consider and confront how Christianity has been used to support and expand European colonialism in Africa over the last three centuries. Iyeza uses Leonardo da Vinci’s iconic Last Supper as a compositional and historical framing device, replacing the disciples with contemporary African figures who move in hypnotic and almost painful slow-motion as a rhythmic soundtrack plays.