Mitja Mlakar

Short Deeds were a challenge for a generation of filmmakers. The project had its rules which had to be followed by the screenwriters, directors and their six teams: three pages of script, action in a pulled-over car with no more than three actors, shot in one day, a twist in the plot, and to be featured in each story – a parting.

Hana, a young woman in her late twenties, has been faced with the most difficult decision in her life: to give birth to a child that will very likely have a congenital genetic disorder; or to have an abortion.

Short Deeds were a challenge for a generation of filmmakers. The project had its rules which had to be followed by the screenwriters, directors and their six teams: three pages of script, action in a pulled-over car with no more than three actors, shot in one day, a twist in the plot, and to be featured in each story – a parting.

Hana, a young woman in her late twenties, has been faced with the most difficult decision in her life: to give birth to a child that will very likely have a congenital genetic disorder; or to have an abortion.

Hana, a young woman in her late twenties, has been faced with the most difficult decision in her life: to give birth to a child that will very likely have a congenital genetic disorder; or to have an abortion.