József Daróczy

Dressed as a gypsy woman, Krisztinka Oltay spies, organizes, and takes measures to help Prince Rákóczi and free his lover, Péter Szakmáry. Péter was taken in by his brother, who was loyal to the emperor, and he wants to execute him in Kassa together with the other Kurucs. Krisztinka inspires the tired kuruc troops with a song and Rákóczi's music to capture Kassa and free the prisoners...

Copfos, a milliner working at Annie's, a downtown millinery, is the object of popular despise and mockery. On one day she becomes the inheritor of $650 000.

No synopsis available yet.

Advertising was already booming in 1933. Rohr, a Berlin soapmaker, was looking for a particularly attractive face to promote his new product. And he finds it in a shot by photojournalist Schmidt, but the problem is that Mr Schmidt has no idea where, when or who he took the photo of. So a private detective agency and the "culprit" himself, the photographer, who is, for understandable reasons, a little "forgetful", start investigating the beautiful lady.

Dressed as a gypsy woman, Krisztinka Oltay spies, organizes, and takes measures to help Prince Rákóczi and free his lover, Péter Szakmáry. Péter was taken in by his brother, who was loyal to the emperor, and he wants to execute him in Kassa together with the other Kurucs. Krisztinka inspires the tired kuruc troops with a song and Rákóczi's music to capture Kassa and free the prisoners...

Dressed as a gypsy woman, Krisztinka Oltay spies, organizes, and takes measures to help Prince Rákóczi and free his lover, Péter Szakmáry. Péter was taken in by his brother, who was loyal to the emperor, and he wants to execute him in Kassa together with the other Kurucs. Krisztinka inspires the tired kuruc troops with a song and Rákóczi's music to capture Kassa and free the prisoners...

Copfos, a milliner working at Annie's, a downtown millinery, is the object of popular despise and mockery. On one day she becomes the inheritor of $650 000.

No synopsis available yet.

Advertising was already booming in 1933. Rohr, a Berlin soapmaker, was looking for a particularly attractive face to promote his new product. And he finds it in a shot by photojournalist Schmidt, but the problem is that Mr Schmidt has no idea where, when or who he took the photo of. So a private detective agency and the "culprit" himself, the photographer, who is, for understandable reasons, a little "forgetful", start investigating the beautiful lady.