Märit Andersson

A conversation with the Swedish author Birgitta Trotzig (1929-2011) , member of the Swedish Academy between 1993 and 2011. Trotzig's language is strongly driven and honored, often dark and hard-to-reach, but with a sharpness penetrating deeply into the reader susceptible to her prose. The main themes of her books are guilt and liberation, often with a Christian vocabulary, and the balance between ethics and ethics.

About the poet Ragnar Thoursie (1919-2010). Despite his great successes, he chose to quit poetry and instead engage in social work in other forms. What made him do that?

"It was a day in May that you left, one day in May as we lost you. But when I now return to your grave, we are no longer lost."

A conversation with the Swedish author Birgitta Trotzig (1929-2011) , member of the Swedish Academy between 1993 and 2011. Trotzig's language is strongly driven and honored, often dark and hard-to-reach, but with a sharpness penetrating deeply into the reader susceptible to her prose. The main themes of her books are guilt and liberation, often with a Christian vocabulary, and the balance between ethics and ethics.

A conversation with the Swedish author Birgitta Trotzig (1929-2011) , member of the Swedish Academy between 1993 and 2011. Trotzig's language is strongly driven and honored, often dark and hard-to-reach, but with a sharpness penetrating deeply into the reader susceptible to her prose. The main themes of her books are guilt and liberation, often with a Christian vocabulary, and the balance between ethics and ethics.

About the poet Ragnar Thoursie (1919-2010). Despite his great successes, he chose to quit poetry and instead engage in social work in other forms. What made him do that?

About the poet Ragnar Thoursie (1919-2010). Despite his great successes, he chose to quit poetry and instead engage in social work in other forms. What made him do that?

"It was a day in May that you left, one day in May as we lost you. But when I now return to your grave, we are no longer lost."