Nataliya Nazarova

The fate of Diego Rivera, a Mexican muralist who glorified the Mexican Revolution with his art, is connected with Russia in many ways. Russian artists Angelina Belova and Maria Vorobyova-Stebelskaya bore him children, for a long time he was friends with Trotsky, joined the Communist Party several times, was friends with Eisenstein, Mayakovsky, Ehrenburg. Finally, it was to Soviet Russia that he came in the last years of his life in the hope of being cured of cancer. This film is about Diego Rivera and how, 50 years later, his legacy is seen.

The world-renowned Marina Abramović has argued that artists should not fall in love with each other. The film VovaNina decisively overturns this categorical statement by showing us the life story of two outstanding Moscow artists, Vladimir Salnikov and Nina Kotel.

The internal dialogue of two Frida Kahlo, a romantic passionate painting of nature and a lonely woman full of skepticism. The film is an attempt with individual strokes (in the spirit of Frida's own technique) to sketch on the screen a portrait of one of the most incredible personalities of the 20th century.

The fate of Diego Rivera, a Mexican muralist who glorified the Mexican Revolution with his art, is connected with Russia in many ways. Russian artists Angelina Belova and Maria Vorobyova-Stebelskaya bore him children, for a long time he was friends with Trotsky, joined the Communist Party several times, was friends with Eisenstein, Mayakovsky, Ehrenburg. Finally, it was to Soviet Russia that he came in the last years of his life in the hope of being cured of cancer. This film is about Diego Rivera and how, 50 years later, his legacy is seen.

The world-renowned Marina Abramović has argued that artists should not fall in love with each other. The film VovaNina decisively overturns this categorical statement by showing us the life story of two outstanding Moscow artists, Vladimir Salnikov and Nina Kotel.

The world-renowned Marina Abramović has argued that artists should not fall in love with each other. The film VovaNina decisively overturns this categorical statement by showing us the life story of two outstanding Moscow artists, Vladimir Salnikov and Nina Kotel.

The internal dialogue of two Frida Kahlo, a romantic passionate painting of nature and a lonely woman full of skepticism. The film is an attempt with individual strokes (in the spirit of Frida's own technique) to sketch on the screen a portrait of one of the most incredible personalities of the 20th century.