Arthur Balder

Oscar-winning screen icon Susan Sarandon and Armenian painter Tigran Tsitoghdzyan discuss time and identity, and how the apparently in conflict values of beauty and aging are perceived in our modern society dominated by social media, as he limns her portrait during a timeless sitting session. With this film the director sets in motion his film theory on poetics of cinematic art, by re-creating a set of sense memories of an artist in a non-linear, challenging, yet intriguing story-telling scheme.

Oscar-winning screen icon Susan Sarandon and Armenian painter Tigran Tsitoghdzyan discuss time and identity, and how the apparently in conflict values of beauty and aging are perceived in our modern society dominated by social media, as he limns her portrait during a timeless sitting session. With this film the director sets in motion his film theory on poetics of cinematic art, by re-creating a set of sense memories of an artist in a non-linear, challenging, yet intriguing story-telling scheme.

Oscar-winning screen icon Susan Sarandon and Armenian painter Tigran Tsitoghdzyan discuss time and identity, and how the apparently in conflict values of beauty and aging are perceived in our modern society dominated by social media, as he limns her portrait during a timeless sitting session. With this film the director sets in motion his film theory on poetics of cinematic art, by re-creating a set of sense memories of an artist in a non-linear, challenging, yet intriguing story-telling scheme.