Lila Avilés

Prófugas del Destino is a Spanish-language telenovela produced by the Mexican television network TV Azteca. The stars and crews are mainly from Mujer Comprada.

In a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts, and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same.

Drenaje Profundo is a primetime television series produced by TV Azteca. It stars Ana Serradilla, Rodrigo Murray, Juan Pablo Medina and Elizabeth Cervantes. The series will air on October 2010.

Set within an intimate social circle, Cábula follows a group of friends whose long-standing bond is disrupted when a hidden pact—referred to as a “cábula,” or secret agreement—resurfaces. Over the course of a tense gathering, buried resentments, loyalties, and unspoken desires gradually come to light. As conversations drift between humor, nostalgia, and confrontation, the characters must face the consequences of choices made years earlier. Through quiet observation and shifting perspectives, the film explores the fragile dynamics of friendship, memory, and the subtle ways people negotiate truth, guilt, and affection within close-knit communities.

El Pantera is a Mexican television series released by Canal 5. It is based on a comic book of the same name. It narrates the life of Gervasio, a young man who fights crime in Mexico City. The title role is performed by Luis Roberto Guzmán. The series started airing on May 2007, and is filmed in Mexico City under the direction of producers Rodolfo de Anda and Alexis Ayala. It currently airs its third season Mondays on Canal 5 at 10:00pm and on cable TV channel Galavisión Tuesdays at 21:30pm. The character of El Pantera was created in the 70's by the writer Daniel Muñoz and artist Juan Alba for Mundo Vid. A novel called El Pantera, or La Noche del Pantera was written by Muñoz in the 90's, followed by El Misterio de la Amenaza Negra.

Lila Avilés follows Leticia Gallardo and her all-female band Mujeres del Viento Florido, musicians from more than 60 Indigenous communities across Mexico who travel from the mountainous region of Tlahuitoltepec to Oaxaca and Mexico City bringing joyous popular music and a kind of brassy defiance of centuries of persecution.

Prófugas del Destino is a Spanish-language telenovela produced by the Mexican television network TV Azteca. The stars and crews are mainly from Mujer Comprada.

Drenaje Profundo is a primetime television series produced by TV Azteca. It stars Ana Serradilla, Rodrigo Murray, Juan Pablo Medina and Elizabeth Cervantes. The series will air on October 2010.

El Pantera is a Mexican television series released by Canal 5. It is based on a comic book of the same name. It narrates the life of Gervasio, a young man who fights crime in Mexico City. The title role is performed by Luis Roberto Guzmán. The series started airing on May 2007, and is filmed in Mexico City under the direction of producers Rodolfo de Anda and Alexis Ayala. It currently airs its third season Mondays on Canal 5 at 10:00pm and on cable TV channel Galavisión Tuesdays at 21:30pm. The character of El Pantera was created in the 70's by the writer Daniel Muñoz and artist Juan Alba for Mundo Vid. A novel called El Pantera, or La Noche del Pantera was written by Muñoz in the 90's, followed by El Misterio de la Amenaza Negra.

Tv Show Drunk History

TV Show Details

In a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts, and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same.

In a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts, and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same.

In a bustling Mexican household, seven-year-old Sol is swept up in a whirlwind of preparations for the birthday party for her father, Tona, led by her mother, aunts, and other relatives. As the day goes on, building to an event both anticipated and dreaded, Sol begins to understand the gravity of the celebration this year and watches as her family does the same.

Set within an intimate social circle, Cábula follows a group of friends whose long-standing bond is disrupted when a hidden pact—referred to as a “cábula,” or secret agreement—resurfaces. Over the course of a tense gathering, buried resentments, loyalties, and unspoken desires gradually come to light. As conversations drift between humor, nostalgia, and confrontation, the characters must face the consequences of choices made years earlier. Through quiet observation and shifting perspectives, the film explores the fragile dynamics of friendship, memory, and the subtle ways people negotiate truth, guilt, and affection within close-knit communities.

Set within an intimate social circle, Cábula follows a group of friends whose long-standing bond is disrupted when a hidden pact—referred to as a “cábula,” or secret agreement—resurfaces. Over the course of a tense gathering, buried resentments, loyalties, and unspoken desires gradually come to light. As conversations drift between humor, nostalgia, and confrontation, the characters must face the consequences of choices made years earlier. Through quiet observation and shifting perspectives, the film explores the fragile dynamics of friendship, memory, and the subtle ways people negotiate truth, guilt, and affection within close-knit communities.

Lila Avilés follows Leticia Gallardo and her all-female band Mujeres del Viento Florido, musicians from more than 60 Indigenous communities across Mexico who travel from the mountainous region of Tlahuitoltepec to Oaxaca and Mexico City bringing joyous popular music and a kind of brassy defiance of centuries of persecution.

Lila Avilés follows Leticia Gallardo and her all-female band Mujeres del Viento Florido, musicians from more than 60 Indigenous communities across Mexico who travel from the mountainous region of Tlahuitoltepec to Oaxaca and Mexico City bringing joyous popular music and a kind of brassy defiance of centuries of persecution.

Lila Avilés follows Leticia Gallardo and her all-female band Mujeres del Viento Florido, musicians from more than 60 Indigenous communities across Mexico who travel from the mountainous region of Tlahuitoltepec to Oaxaca and Mexico City bringing joyous popular music and a kind of brassy defiance of centuries of persecution.

Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of forgotten belongings and budding friendships that nourish her newfound and determined dream for a better life.

Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of forgotten belongings and budding friendships that nourish her newfound and determined dream for a better life.

Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of forgotten belongings and budding friendships that nourish her newfound and determined dream for a better life.

short film painting in motion first part of the tetralogy of words

Luz works at a gallery but her real passion and purpose in life is as an opera singer. She’s been invited to audition for Madame Butterfly at one of the principal theatres in Mexico City. Luz must practice. Her friends Lycian and Chío instruct her. How to make her voice and hands dance. She’s told “Your mouth is twice the size of your eye,” and this is all part of a divine geometry that governs the world. The 25th commission from Miu Miu Women’s Tales.

Luz works at a gallery but her real passion and purpose in life is as an opera singer. She’s been invited to audition for Madame Butterfly at one of the principal theatres in Mexico City. Luz must practice. Her friends Lycian and Chío instruct her. How to make her voice and hands dance. She’s told “Your mouth is twice the size of your eye,” and this is all part of a divine geometry that governs the world. The 25th commission from Miu Miu Women’s Tales.

The daily life of Ana, a 9-year-old adult.

The daily life of Ana, a 9-year-old adult.

The daily life of Ana, a 9-year-old adult.

A fashion film directed by Lila Avilés Solís, about three girls who walk the streets and some places in Havana, Cuba, dressed by the Mexican designer Alexia Ulibarri, talking about beauty, freedom, happiness...

A documentary about the importance of taking care and respect for the earth, man and all forms of life, as an eternal cooperation, having as its main premise, to heal the earth to heal man. The whole story is narrated through the doctor and farmer Dieter le Noir at his Rancho Valle La Paz.

A documentary about the importance of taking care and respect for the earth, man and all forms of life, as an eternal cooperation, having as its main premise, to heal the earth to heal man. The whole story is narrated through the doctor and farmer Dieter le Noir at his Rancho Valle La Paz.

A fashion film, a metaphor about the separation process. It is a timeless story about how we assimilate breakups and how we have to rebuild ourselves based on memory and detachment. Strengthening our inner and outer being, almost like a metamorphosis.

'Nena' is a documentary about Rosalina Avilés. She had a very big house in Cuernavaca, Mexico. When her husband died, she needed to rent her home and start working, fighting for her three children. Now they live in the US and she is alone with her memories. Nena talks about absence and resilience.

'Nena' is a documentary about Rosalina Avilés. She had a very big house in Cuernavaca, Mexico. When her husband died, she needed to rent her home and start working, fighting for her three children. Now they live in the US and she is alone with her memories. Nena talks about absence and resilience.