Ad van Kempen

In the menacing inferno of the old North-American West, Liz is a genuine survivor who is hunted by a vengeful preacher for a crime she didn’t commit.

Five friends from 'Maaskantje' are getting fired because of the economic crisis. They decide that they won't pay for anything anymore.

During World War II in the freezing winter of 1944-45 the western Netherlands are in the grip of a famine. Many people move east to provide for their families. Fourteen year old Michiel can't wait to join the Dutch resistance, to the dismay of his father, who, as mayor, works to prevent escalations in the village.

Tuur and Lambert are best friends. But the war is closing in and is about to change their lives forever. Tuurs dad joined the resistance and even his big brother seems so be part of it. Lamberts family on the other hand choose to obey the Germans. Then a new girls from the city shows up, befriending the boys but telling her secret to only one of them. A choice that separates the boys and ultimately gets her in trouble.

Betriek lives at the edge of a peat bog in the North of the Netherlands. When she and her family are attacked by a random stranger one night, Betriek sets out to find an explanation. The more she digs, the more she becomes convinced that she is being hunted by something ancient.

Amsterdam, Netherlands, 1944, during World War II. Andries Riphagen, a powerful underworld boss, has made his fortune by putting his many criminal talents at the service of the Nazi occupiers. But the long battle is about to end and the freedom fighters, who have been persecuted and murdered for years, are abandoning their hideouts to mercilessly hunt down those who have collaborated with the killers.

Hanna secretly joins a group called The Onania Club. Its members, strong independent L.A. women, get aroused by the misery of others. Hanna meets more misery than she could ever hope for and in the process loses everything she cares for.

The film is set in a signalman's house during the German occupation. When it turns out that the mother has committed adultery with a German, things start to go downhill for the father. Germans take over his land, and his children fend for themselves.

Tim’s parents start a hotel business on the coast. Their dream comes true, but Tim is less excited. Moving, a new school, new friends, hopefully: he is not sure what to expect. Next, he discovers a frozen man in the basement. When he comes to, it turns out to be a spy who had a thrilling adventure there thirty years ago. Together, they try to find out what happened back then, while new mysteries keep piling up.

After Sara Silverstein suddenly finds herself involved in a series of violent attacks she realizes she needs to unravel her father’s past in order to neutralize this threat.

A perfectly happy couple believe they live their dream when they expect their first child. That dream is shattered when the child dies, leaving them to cope with their loss, their environment, and ultimately themselves.

Doodslag (Dutch for "Manslaughter") is the story of Max, a paramedic who is repeatedly hindered in performing his duties by loutish behaviour. As his ambulance hurries towards a complicated childbirth, some youths prevent Max from reaching the distressed woman in labour. Spurred on by the emergency and the incendiary words of a TV pundit, he reaches a boiling point and forcefully hits one of the men obstructing his ambulance. Max's strike has far-reaching, unintended consequences.

No synopsis available yet.

When Marius retires, his son drops his father in a home for the elderly. Marius has too much energy to accept the rules of the institute's management. Marius and other oldies lock horns with management.

Sarah, 30, single, well educated, likes art, places a voice ad for phone sex, inviting replies from men under 35, sturdy and sensual. Wilbert, a chubby middle aged architect, leaves a message that he is Thomas, 32 and well formed. A week later, she phones. She likes his voice, he likes her laugh, so once a week she phones him (he's not to know her last name, where she lives, or her number). Portraits emerge of humor and sadness. He presses for details of her life and tells her about his work; she wants these Thursday calls to be fantasy and release, separate from the rest of who she is. The film dramatizes these tensions of lies and truth, connection and distance. Written by

When Ernst and Bobbie visit a fantastic circus school, disaster strikes. The circus school burns down, and to save it, Ernst and Bobbie must track down a great treasure. As they follow a treasure hunt that leads them to the strangest places, the circus director is also kidnapped. Pursued by the criminal Fedor and his innocent niece Indy, they face thrilling and dangerous adventures...

Ernst and Bobbie are enjoying a well-deserved vacation when they discover that a beautiful nearby forest is about to be cut down. The villainous entrepreneur Wolter Onix wants to build an asphalt factory on the site to pave all of the Netherlands. But Ernst and Bobbie are determined to stop him so Onix challenges them to complete some tasks. If they succeed within three days, he promises not to build the factory. Their mission: bring together a famous pop star, 40,000 concertgoers, and a golden microphone. It seems like an impossible task, but Ernst and Bobbie are determined to save the forest...

Just before December 5, Sinterklaas mysteriously disappears from the castle. The Club's Pieten don't understand what's going on and become worried. When Sinterklaas reappears a little later, he says unkind things and behaves strangely. What happened to Sinterklaas? And what was that Toy Doctor doing at the castle? It is Mees and his neighbor Katja who discover what is going on with Sinterklaas and what the secret of the peculiar Toy Doctor is. Pakjesavond is in danger, and they must warn the Pieten of the Club van Sinterklaas as soon as possible! Will the Club Pieten and Mees & Katja manage to unmask the Toy Doctor in time? Will they succeed in making sure that Pakjesavond can still go ahead this year?

Orazbaz, who lives in Uzbek, longs to leave his tiny fishing village. He becomes a stowaway on a ship thinking that he will end up in Manhattan. Instead he ends up in Rotterdam and is taken in by a lonely woman, but he is eventually betrayed by her jealous husband.

A teenager struggling with his gender attempts to reconcile with his identity.

Thijs is a ripe-age Dutch tomato grower. His adult daughters plan to have him move in a skyscraper-flat, leaving home and professional life, but he takes his adolescent (half-)Moroccon grandson Omar's advice to refuse and keep living. Thijs even lets the cheerful rascal coach his love-life, which lands him on a blind date with Jacky, an energetic Flemish woman, who won't take no for an answer but turns up at his door-step till he consents, and soon drags him into evening life, preparing for a dance contest. Soon after Omar turns up, listless and lazier then ever, runaway from school and home. The obvious reason for the horny hound's hanging head is a girl: Mergal is foxy, Turkish and as smitten as he, but her burly big brother Erhan will only allow a boy to go steady with her who has proven himself his better on the field in the traditional manly sport of oil-wrestling. Now Thijs...

Paolo is dismissed from his municipality by the new mayor and left with debts. His friend Jimmy proposes to launch a poker tournament and flogged the TV rights but he appears to have made a mistake with the TV contract: there is no money.

As years pass, the Craets-Goldeweyn family must cope with the disappearance of the familiar and the inescapable new that imposes itself.

No synopsis available yet.

Sarah, 30, single, well educated, likes art, places a voice ad for phone sex, inviting replies from men under 35, sturdy and sensual. Wilbert, a chubby middle aged architect, leaves a message that he is Thomas, 32 and well formed. A week later, she phones. She likes his voice, he likes her laugh, so once a week she phones him (he's not to know her last name, where she lives, or her number). Portraits emerge of humor and sadness. He presses for details of her life and tells her about his work; she wants these Thursday calls to be fantasy and release, separate from the rest of who she is. The film dramatizes these tensions of lies and truth, connection and distance. Written by