Ibragim Ismailov

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?

No synopsis available yet.

No synopsis available yet.

Petersburg. A Selfie comprises seven novellas about the beautiful city of St. Petersburg, Russia, shot by female directors. The film tells a story of a real, living and breathing city, rather than a mythical phantasm. Each novella tells its own story about love and loneliness, luck and hope.

An evening dress, a St. Petersburg attic, summer, alcohol, and a chance encounter with a handsome guy – what else do you need to have a wonderful evening? The main thing is that it shouldn’t be the last one. Margot is only twenty‑three, but she already has a great plan: to come to St. Petersburg and jump off the roof before life itself throws some kind of trouble at her. After all, it’s better to go out young, healthy, and drunk, without waiting for World War III, the depletion of the world’s oil reserves, or a brick falling from the roof at the whim of a treacherous fate. However, fate seems to have something entirely different in store for her. Life, just as Margo feared, is indeed full of surprises, and not all of them are terrible.

The film tells the funny stories that happen to the villager Bayram.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?

No synopsis available yet.

No synopsis available yet.