John C. Koch

A young aspiring boxer is lured by a powerful impresario into a dangerously compromising situation.

John Koch's second feature and follow up to "Je ne sais quoi" (2008), "The Seducer" (2009) is an adaptation and present-day re-imagination of Fyodor Dostoevsky's 1848 short story "White Nights." Through this tragic tale of love and loss the questions and consequences of seduction are explored. 163 years after the story's original publication, the fundamental conflict between masculine and feminine energies within it remains universal and as relevant as ever in contemporary life.

This is a story of the mysterious force that fuels attraction and desire, success and vitality, that elusive 'je ne sais quoi'. Some have it, some don't, and Paul, an unpredictable loner, falls into the latter category. A frustrated creative living a dead end life, Paul is at odds with everything in his environment and with himself. When he reaches out to Anna, a seemingly kindred spirit who lives across the hall, could things be changing for him? With a distinctive sharp wit and visual expression, the film explores the complexities of 21st century relationships and the fine line between acceptance of others and settling for less.

A young aspiring boxer is lured by a powerful impresario into a dangerously compromising situation.

John Koch's second feature and follow up to "Je ne sais quoi" (2008), "The Seducer" (2009) is an adaptation and present-day re-imagination of Fyodor Dostoevsky's 1848 short story "White Nights." Through this tragic tale of love and loss the questions and consequences of seduction are explored. 163 years after the story's original publication, the fundamental conflict between masculine and feminine energies within it remains universal and as relevant as ever in contemporary life.

This is a story of the mysterious force that fuels attraction and desire, success and vitality, that elusive 'je ne sais quoi'. Some have it, some don't, and Paul, an unpredictable loner, falls into the latter category. A frustrated creative living a dead end life, Paul is at odds with everything in his environment and with himself. When he reaches out to Anna, a seemingly kindred spirit who lives across the hall, could things be changing for him? With a distinctive sharp wit and visual expression, the film explores the complexities of 21st century relationships and the fine line between acceptance of others and settling for less.