Virginia Scaro

A filmmaker meets her ex-boyfriend, who plays a role in her new film, in which the authenticity or falsity of a kiss in a gay scene is debated, with backstage included. Metacine or metagay? Gay cinema within cinema or cinema within gay cinema, variations of a daedalus of representations. "The current boyfriend" feeds on lateral humor, on the political of desire as a talk in the kitchen, on the flicker-free observation of who we are and what we pretend to be, as a nucleus that is reinterpreted with always different gestures, once as drama and another like comedy, almost without knowing which is appropriate.

A drunk man confronts another after a betrayal and ends up collapsed. Meanwhile, his mare breaks loose, crosses the village, and climbs the mountain. Amid fences and other horses, something seems to open up the possibility of changing history.

A drunk man confronts another after a betrayal and ends up collapsed. Meanwhile, his mare breaks loose, crosses the village, and climbs the mountain. Amid fences and other horses, something seems to open up the possibility of changing history.

A drunk man confronts another after a betrayal and ends up collapsed. Meanwhile, his mare breaks loose, crosses the village, and climbs the mountain. Amid fences and other horses, something seems to open up the possibility of changing history.

No synopsis available yet.

A woman confines herself to her apartment and to a daily routine that keeps her sane, but a brief encounter with the outside world threatens to dismantle her meticulously maintained refuge.

A woman confines herself to her apartment and to a daily routine that keeps her sane, but a brief encounter with the outside world threatens to dismantle her meticulously maintained refuge.

An ensemble of actors worships a mysterious object—“the Bobbin”—which they believe is the magical ground for their success. But shortly before opening night, the Bobbin gets destroyed in a chance accident, putting into doubt the actors’ stage powers.